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The purpose of this paper is to summarize the current Korean copyright law and its effect on electronic document delivery services in Korea, and to recommend solutions for Korean libraries and information centers.

The authors present information based on their own professional experience at a national document supply center.

Korean libraries have five options for pursuing copyright clearance for materials published outside of Korea: negotiate an agreement directly with publishers; establish an agreement with, and pay royalties to, copyright collectives; establish bilateral treaties with national copyright collectives; establish a framework agreement with the organizations representing copyright holders; and incorporate extended collective licensing into the Korean copyright law.

The Korean copyright law was amended in 2011 and this paper presents the most current research on the law's impact on electronic document delivery services in Korea.

Investigates the differences in protocols between arbitral tribunals and courts, with particular emphasis on US, Greek and English law. Gives examples of each country and its way of using the law in specific circumstances, and shows the variations therein. Sums up that arbitration is much the better way to gok as it avoids delays and expenses, plus the vexation/frustration of normal litigation. Concludes that the US and Greek constitutions and common law tradition in England appear to allow involved parties to choose their own judge, who can thus be an arbitrator. Discusses e‐commerce and speculates on this for the future.

Aim of the present monograph is the economic analysis of the role of MNEs regarding globalisation and digital economy and in parallel there is a reference and examination of some legal aspects concerning MNEs, cyberspace and e‐commerce as the means of expression of the digital economy. The whole effort of the author is focused on the examination of various aspects of MNEs and their impact upon globalisation and vice versa and how and if we are moving towards a global digital economy.

Based on a background study prepared by the Institute for Information Law at the University of Amsterdam for the European Commission, DG XIII‐E/3, Luxemburg. The rapid growth of electronic document delivery services has created a number of complex copyright related problems. Are abstracts and bibliographical data protected? Are electronic storage, transmission and delivery‐on‐demand restricted acts? Do existing copyright limitations (library privileges, reprographic exemptions) apply in a digital environment? These and other copyright related issues are discussed from a primarily European perspective. In conclusion, some legislative and contractual solutions are discussed: European harmonization of copyright exemptions, statutory licensing, collective administration of rights, collective licensing, direct licensing.

The Copyright Clearance Center (CCC) was created to facilitate compliance with US copyright law. It serves both foreign and domestic copyright owners and the users of their work. Over the past ten years CCC has developed its major services. The Annual Authorizations Service (AAS) provides annual blanket licences to permit major companies to photocopy copyright material. Various statistical sampling methods are used to establish the level of use and thus the cost of the licences. In 1986 700,000 photocopies were made under this scheme. The Transactional Reporting Service (TRS) is the original scheme whereby users voluntarily report and pay copying fees for CCC‐registered publications on a per‐copy basis. At present some 2,400 users have established accounts with CCC under this scheme: approximately 3.3 million photocopies have been reported through the service since its inception in 1978, 600,000 of these in 1986. Despite the growing popularity of the AAS, this service is still showing a pattern of consistent growth. Reciprocal bilateral agreements with foreign Reproduction Rights Organizations are becoming increasingly significant to the work of CCC, since greater international co‐operation in the collection and distribution of photocopy royalties will be a vital factor in the development of international document delivery in the future.

In a recent edition of the nation's favourite soap, Coronation Street, a small incident occurred which illustrated in a nutshell the problems facing the deviser of an industrial design in seeking to protect that design from being copied. Angie, a student of fashion design at the local polytechnic put on a successful show of her designs. Emboldened by the favourable reception she set out a couple of days later for an appointment with a local dress manufacturer to try and sell her designs. She returned a few hours later in tears and with hopes dashed. She had arrived at the firm only to discover that her designs were already being made up into dresses. The designs had been copied at the show and already sold to or copied by them. The incident was not without its silver lining in that in getting drunk to forget the whole sad affair this lead to a romantic interlude with fellow lodger, Curley Watts! It is the purpose of this article to examine the main strands of protection for industrial designs and to look at a proposed new European Community Design Law which has recently been published by the prestigious Max Planck Institute for Foreign and International Patent, Copyright and Competition Law (Munich, 1991). This proposal is being put to the EC Commission as the basis for an EC Regulation.

The purpose of this article is to introduce the KISTI document delivery service, to describe its collaboration with national and international institutions, and to explore the way KISTI develops and extends international cooperation.

The article describes the work of KISTI and draws on the transaction data of documents delivered by KISTI.

Resource sharing through national and international cooperation is becoming of increasing importance in Korea. KISTI operates its document delivery service at three levels: inNIDS, netNIDS, and globalNIDS. KISTI is the focal point in Korea for the delivery of domestic knowledge to other countries.

One of the few articles to deal in detail with the services provided by KISTI – the Korean global document delivery service.

For India, having being endowed with a rich heritage of art and culture, copyright is perceived to offer potential rewards. The entertainment industry is one of the fastest growing sectors in the Indian economy. At present, India is not a signatory to the WIPO Internet Treaties, but the government has proposed amendments to the extant legislation to incorporate Digital Rights Management (DRM) as enshrined in them. Conventionally the western entertainment industry has viewed DRM as an important tool to combat piracy pervasive on the internet. DRM involves the application of a set of technical and legal mechanisms that allow copyright owners to control the access to their works, determine the types of permissible uses and terms of such uses and the ultimate distribution of their works in the digital world. With the growing popularity of Indian cinema abroad, the entertainment industry is attracting increasing foreign investment, is gradually being corporatised and thus it is felt that such investments need to be protected. DRM is considered to be one of the solutions as it prevents loss due to unlimited unauthorized reproduction of works, introduces more effective market segmentation and promotes the incentive to create, facilitating the maximum exploitation of works in the digital world. However, for India, a developing economy, such a path is to be treaded with caution. DRM is an extra‐statutory measure, with perceived potential impact on consumer privacy, innovation and limiting legitimate exceptions. A unique feature of the industry is that it is an extension of its dynamic indigenous folk and classical cultural tradition where the emphasis has been on adaptation and improvisation, drawing upon works in the public domain. Some experts observe that DRM poses a threat to such a tradition by artificially restricting the public domain.This paper explores the likely impact of the proposed introduction of the DRM provisions in the Indian Copyright Act, 1957 with its focus on Bollywood and the related music sector. Given the tension surrounding DRM, this paper examines the aforementioned issues, taking into consideration the promotion of the underlying objectives of copyright law. Noting that the case for strong copyright protection as a key for innovation is highly debatable, this paper argues that India should keep in mind the flexibilities under law as provided by various international treaties and in technology before adopting the DRM approach.

This article aims to outline how the Institute for Scientific and Technical Information (INIST‐CNRS), the French leader in the document delivery market, works with a broad national and international network of some 200 libraries and STI centres. It also seeks to provide an overview of recent developments in the French academic ILL network and of French copyright legislation, as well as information on negotiations with publishers on secure electronic delivery.

The article is based on a communication at the 10th Interlending and Document Supply conference, Singapore, 29‐31 October 2007. It is descriptive and based on INIST data and experience.

Resource sharing and networking in document delivery on a national and international level have become essential to maintain good quality services.

The article focuses on INIST‐CNRS, a leader in the document delivery market.