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Authenticity is an interactionist distinction that is symbolically created and negotiated in everyday life. This paper (1) investigates “underground” country musicians and their definitions of self, including the process of creating accounts and (2) demonstrates the importance of authenticity-based identity work as a symbolically constituted and socially negotiated process. The purpose here is not to celebrate “authentic” country music, but rather to examine how these artists construct and manage the perception of authentic identities and to also demonstrate how authenticity-based identity work serves as a meaningful addition to these artists’ identities.

Cultural visibility is closely linked to physical and social mobility, and access to – or denial of – free movement through private and public spaces powerfully shapes individual and social identities. As Liam Kennedy has shown in the context of urban space, “the operations of power are everywhere evident in space: space is hierarchical – zoned, segregated, gated – and encodes both freedoms and restrictions – of mobility, of access, of vision” (2000, pp. 169–170). A consideration of how film articulates a relationship between space and identity might thus begin by breaking down the concept of space itself into three distinct yet interconnected areas of analysis: first, the notion of socially produced space, as shown in the work of Henri Lefebvre and others; second, the idea of audience space or the architectural space of the theater; and finally, the theory of film space or the space of the screen. Given this essay’s limited scope, the latter will be examined in more detail than the first two, but I would like to stress the underlying interconnectedness of the three. While, for example, formalist studies of film aesthetics may be just as valuable as in-depth studies of changing viewing habits, audience demographics, and exhibition technologies, film interpretation should strive to keep in view the variety of spatial formations and conditions that might come to bear on any particular visual text.