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This study aims to evaluate the color accuracy of HP Jet Fusion 580 3D printing, comparing 3D-printed outcomes against original digital input colors.

A custom cyan, magenta, yellow and black (CMYK) and red, green, blue (RGB) color chart was applied to the top, bottom and side surfaces of a 3D model. Four of each model were 3D-printed on a HP Jet Fusion 580, and half the samples were finished with a cyanoacrylate gloss surface finish, while half were left in raw form. A spectrophotometer was used to document CIELAB (L*a*b*) data, and comparisons made to the original input colors, including calculation of ΔE.

The CMYK samples were significantly more accurate than RGB samples, and grayscale samples in both color spaces were the most accurate of all. Typically, CMYK swatches were darker than the input values, and gloss samples were consistently darker than raw samples. The chromaticity (a*b*) range was found to be significantly smaller than what can be achieved digitally, with highly saturated colors unable to be produced by the printer.

This is the first study, to the best of the authors’ knowledge, to characterize the full color spectrum possible with the HP Jet Fusion 580, recommending that designers use the CMYK color space when applying colors and textures to 3D models. A quick-reference color chart has been provided; however, it is recommended that future research focus on developing a color management profile to better map digital colors to the capabilities of the printer.

This paper aims to report on production of the colour digital printing toners cyan, magenta and yellow. Colour digital electrophotographic printing is currently in high demand. The provision of a large colour gamut depends on appropriate selection of precise colourants to produce toner capable of producing a thin layer on paper.

Printing toners were synthesised by the emulsion aggregation method, and then evaluated for chemical constitution and effects of the colourant substituents.

Results demonstrated that increasing the polarity of a pigment produced better dispersion and lower particle size with narrower distribution and even better colour reproduction. While, changing a pigment’s characteristics did not affect the toner shape or its thermal properties.

The developed method provides a simple way to synthesise colour printing toner.

Emulsion aggregation toners provide less hazardous materials during printing.

Evaluations of the influence of solid-state parameters and physicochemical properties of the pigments on printing toner characteristics were done for the first time.

A virtuous cycle between effective utilization of external resources and functionality development can be constructed. Given that the timely emergence of new functionality in an efficient way is crucial to a firm's competitive strategy in an era of mega‐competition, construction of such a virtuous cycle is a key element with regard to a firm's technopreneurial strategy. The purpose of this paper is to identify a trigger for such a virtuous cycle.

Empirical comparative analysis taking copying machines development trajectories in Canon and Ricoh and the patent data analysis were conducted.

Cumulative learning from preceding relevant technology development is found to stimulate intra‐technology spillover. Timely intra‐technology spillover from preceding innovation plays a triggering role.

Attempting a broad and comprehensive learning exercise should be strongly encouraged for the effective utilization of external resources for innovation. Fruitful effects of learning should be pursued to the hybrid management of technology fusing indigenous strength and the effects of the comprehensive learning.

Aiming at identifying the trigger emerging a virtuous cycle between effective utilization of external resources and functionality development, core technologies instilled in the copying machines just short of the emergence of functionality development were investigated. In order to anticipate thorough capturing of all dimensions of color technologies utilized for the emergence of new functionality development through indigenous development as well as utilization of externally developed technologies, F‐term retrieval of patent registration data was attempted.

The purpose of this paper is provide a broad view for the standardization efforts of color quality evaluation of color 3D printing techniques. Further, this review paper demonstrates the processes and color properties of most color 3D printing techniques with specific devices and applications to extend the range of possible memberships of standardization group.

Six color 3D printing techniques including plastic-based, paper-based, powder-based, organism-based, food-based and metal-based color 3D printing have been introduced and illustrated with colorization principles and forming features in detail. Moreover, for printed 3D color objects, literature about color measurement, color specification and color reproduction are described and analyzed, respectively.

Four color 3D printing techniques including plastic-based, paper-based, powder-based and food-based color 3D printing show great affinity toward standardization of color quality evaluation, while their colorization principles indicate that it is difficult with a single standard frame. It is possible to develop a completed color quality evaluation standard for color 3D printing based on approaches in color 2D printing when color measurement method and devices are standardized together.

The paper provides an important guide focusing on the efforts to standardize the colorization processes and color quality evaluation of the color 3D printing techniques.

The purpose of this paper is to evaluate and discuss colour properties, stability and lightfastness after accelerated exposure in xenon‐arc light apparatus, of 3D ink jet prints produced by using 3D colour printing process.

3D colour prints were produced using ZCorporation 3D printing method. The samples were divided into groups according to the finishing process applied (untreated, finished with different infiltrants). Colorimetric properties were measured using spectrophotometer. Samples were placed into xenon‐arc based weathering apparatus (Xenotest), using the preset glass filtered sunlight, standard indoor conditions. Colour stability was evaluated as change in colour after repeating the spectrophotometer measurements and comparing spectral and specific colorimetric values of initial and exposed samples.

Based on methodology used, the analysis has shown the changes in colour appearance of differently finished 3D prints, which were mostly attributed to chroma and lightness variations. The colour stability of samples studied noticeably varied and is dependent on colour, percentage of ink coverage and finishing method. Issues of colour and stability of 3D ink jet prints could become important as 3D printing emerges into new application areas, in which the object properties will need to be maintained for a certain amount of time.

The research is comparative and is limited to the specific materials and procedures used.

The paper describes aspects of colour 3D printing for which the published research and literature data are still, for the most part, lacking. Colour measurements methodology and evaluation of stability described could be of value for further research and for users of the technology.

The purpose of this paper is to study a feasible visualization of large-size three-dimension (3D) color models which are beyond the maximum print size of newest paper-based 3D printer used 3D cutting-bonding frame (3D-CBF) and evaluate the effects of cutting angle and layout method on printing time of designed models.

Sixteen models, including cuboid model, cylinder model, hole model and sphere model with different shape features, were divided into two symmetric parts and printed by the Mcor IRIS HD 3D printer. Before printing, two sub-parts were rearranged in one of three layout methods. Nine scaled sizes of original models were printed to find the quantitative relationship between printing time and scale values in each type. For the 0.3 times of original models, six cutting angles were evaluated in detail.

The correlation function about colorization time and printed pages was proposed. Based on 3D-CBF, the correlation between printing time and scale size is statistically defined. Optimization parameters of designed parts visualization about cutting angel and layout method were found, even if their statistical results were difficult to model their effects on printing time of specimens.

The research is comparative and limited to the special models and used procedures.

The paper provides a feasible visualization and printing speed optimization methods for the further industrialization of 3D paper-based printing technology in cultural creative field.

Printing toners are polymer composites accountable for transmission of digital images onto target substrates. Bearing in mind the ever increasing demand for high quality digital printing, modification and/or integration of existing techniques for manufacturing toners with favourable morphological and colour characteristics appears of vital importance. The present study aims to uncover the significance of in-situ polymerisation method, i.e. suspension, emulsion and mini-emulsion to control the microstructure of toner particles (particle size, particle size distribution and sphereness) while keeping the energy required for polymerisation along with reaction conversion at a reasonable level.

Assessment of particle size, particle size distribution and reaction conversion visualised the potential of suspension, emulsion and mini-emulsion polymerisation techniques to control microstructure, and colour characteristics of synthesized toners as well.

The results provided support for the fact that either the emulsion or mini-emulsion polymerisation routes will result in toners having an acceptable particle size and particle size distribution in the presence of a redox precursor. The higher monomer conversion at low temperature, as compared to the suspension polymerisation, was noticeable.

Analysing the glass transition temperature and colour characteristics of the resulting toners elucidated the superiority of mini-emulsion with respect to the other two cases which ranks this method on account of application.

For the first time, mini-emulsion route was put into practice and toners with acceptable colour and microstructure features were synthesised. In spite of lower polymerisation temperature and higher conversion of mini-emulsion compared to suspension and emulsion polymerisation techniques, further investigations are required to fine-tuning the properties of toners produced through this method.

Purpose: Sustainable functionality development (FD) is decisive to firm's profitability in their new innovation in a competitive market. While functionality instills attractive values in innovative goods leading to a dramatic increase in profit through increasing demand and higher prices, it obsolesces immediately in a competitive market. Therefore, how to maintain sustainable FD trajectory is decisive to firm survival strategy within the context of mega‐competition in a globalizing economy. Notwithstanding an increasing significance of this subject, dynamism enabling a sustainable FD trajectory still remains inside a black box. The purpose of this paper, on the basis of an empirical comparative analysis of the diffusion trajectories for copying machines developed by Canon and Ricoh, is to attempt to elucidate this dynamism. Design/methodology/approach: This paper employed a bi‐logistic growth model utilizing patent data for copying machine technologies. Findings: It was found that early undertaking of 2nd generational copying machinery initiated by Canon played a more decisive role in terms of its higher level of sustainable FD than with its competitor. Originality/value: This paper provides significant insight to firm's management of technology strategy in a competitive market.

Coloration costs as a percentage of a product's total manufacturing price have, in general, risen ten times faster than all other raw material costs in the last five years. The ever increasing need for the most cost‐effective use of pigments in colouring, coupled with the need to reduce machine down‐time while colour matching is taking place, has resulted in the rapid development of computer based technology to assist the colourist in his work.