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The author's company uses colour measurements in all phases of its iron oxide business, including production, quality assurance, marketing, and research.
Sibei Xia, Jiayin Li, Cynthia L. Istook and Andre J. West
Two-dimensional (2D) measurement technology has become more popular than before, thanks to the widespread availability of smartphones and smart devices. However, most existing 2D…
Abstract
Purpose
Two-dimensional (2D) measurement technology has become more popular than before, thanks to the widespread availability of smartphones and smart devices. However, most existing 2D body measurement systems have background constraints and may raise privacy concerns. The purpose of this research was to test the idea of designing a 2D measurement system that works with a color-coded measurement garment for background removal and privacy protection. Clothing consumers can use the proposed system for daily apparel shopping purposes.
Design/methodology/approach
A 2D body measurement system was designed and tested. The system adopted a close-fitted color-coded measurement garment and used neural network models to detect the color-code in the garment area and remove backgrounds. In total, 78 participants were recruited, and the collected data were split into training and testing sets. The training dataset was used to train the neural network and statistical prediction models for the 2D system. The testing dataset was used to compare the performance of the 2D system with a commercial three-dimensional (3D) body scanner.
Findings
The results showed that the color-coded measurement garment worked well with the neural network models to process the images for measurement extraction. The 2D measurement system worked better at close-fitted areas than loose-fitted areas.
Originality/value
This research combined a color-coded measurement garment with neural network models to solve the privacy and background challenges of the 2D body measurement system. Other researchers have never studied this approach.
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Dan R. Teel, J. Richard Aspland, James P. Jarvis and Karen L. Dunlap
Describes a new method of instrumental shade sorting, Clemson Colour Clustering (CCC), which has been developed to address the deficiencies associated with the 555 method and its…
Abstract
Describes a new method of instrumental shade sorting, Clemson Colour Clustering (CCC), which has been developed to address the deficiencies associated with the 555 method and its derivatives. CCC has been shown to produce fewer colour groups at a given colour tolerance with greater colorimetric uniformity within each group than 555. CCC has been implemented in co‐operation with Tanner Companies, Inc. to develop a practical system for colour inventory management. Identifies three distinct benefits and developments. First, the CCC system in conjunction with the CMC (2:1) colour difference formula has proved extremely useful in the establishment of objective criteria for setting colour tolerances. Secondly, the CCC method has been enhanced to permit multiple colour measurements from a single roll of goods (e.g. side‐centre‐side). Finally, the CCC method has been combined with a procedure for choosing rolls to satisfy yardage requirements for a cut which does not fragment the remaining colour inventory.
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Colour is not a property which is a physical part of things we see, it is simply the effect of visible light waves bouncing off or passing through the numerous objects in its…
Abstract
Colour is not a property which is a physical part of things we see, it is simply the effect of visible light waves bouncing off or passing through the numerous objects in its path. The colour of an object is determined by several things, the characteristics of the light source, the way the object reflects, absorbs or transmits the light waves striking it. Sometimes, however, the effect of surroundings on the eye and mind and the physical condition of the observer can affect the perception of colour. Hence the eye is not always the best device to use for controlling colour in industry, where consistency of colour is all important.
The most important appearance attribute of a product is undoubtedly colour; however, the overall appearance of the product involves other attributes, including gloss, lustre and…
Abstract
The most important appearance attribute of a product is undoubtedly colour; however, the overall appearance of the product involves other attributes, including gloss, lustre and translucency. Such factors must be considered in making a judgment involving appearance, whether the judgment is visual or instrumental.
Jiangping Yuan, Ming Zhu, Baohui Xu and Guangxue Chen
The purpose of this paper is provide a broad view for the standardization efforts of color quality evaluation of color 3D printing techniques. Further, this review paper…
Abstract
Purpose
The purpose of this paper is provide a broad view for the standardization efforts of color quality evaluation of color 3D printing techniques. Further, this review paper demonstrates the processes and color properties of most color 3D printing techniques with specific devices and applications to extend the range of possible memberships of standardization group.
Design/methodology/approach
Six color 3D printing techniques including plastic-based, paper-based, powder-based, organism-based, food-based and metal-based color 3D printing have been introduced and illustrated with colorization principles and forming features in detail. Moreover, for printed 3D color objects, literature about color measurement, color specification and color reproduction are described and analyzed, respectively.
Findings
Four color 3D printing techniques including plastic-based, paper-based, powder-based and food-based color 3D printing show great affinity toward standardization of color quality evaluation, while their colorization principles indicate that it is difficult with a single standard frame. It is possible to develop a completed color quality evaluation standard for color 3D printing based on approaches in color 2D printing when color measurement method and devices are standardized together.
Originality/value
The paper provides an important guide focusing on the efforts to standardize the colorization processes and color quality evaluation of the color 3D printing techniques.
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In this present study, electrophotographic printing is made on papers which are subjected to different recycling numbers, and this paper aims to examine the colour changes of this…
Abstract
Purpose
In this present study, electrophotographic printing is made on papers which are subjected to different recycling numbers, and this paper aims to examine the colour changes of this printing type.
Design/methodology/approach
Four-colour electrophotographic printing is carried out on adhering to the INGEDE 11p standard recycled papers four times under the same conditions. Colour measurements are made by means of electrophotographic printed colour scales printed on these recycled papers. Colour measurements are made with the X-Rite eXact spectrophotometer according to the ISO 13655:2017 standard. As a result of colour measurements, colour differences (ΔL′, ΔH′, ΔC′, ΔE00) of recycled papers are determined using some formulas.
Findings
According to the values obtained after four recycling, the highest ΔL′ value is found to be 4.80 yellow and the lowest 1.92 black. Again, according to the measurement results, it is determined that the highest ΔE00 is yellow colour with a value of 5.66, and lowest ΔE00 is black colour with a value of 1.98. In ΔH′, black colour is the highest value of 12.61, the lowest value with −2.05 is obtained in magenta colour. It was observed that the highest ΔC′ value is 2.98 in yellow, and the lowest value is −0.28 in black.
Originality/value
In the printing industry, sometimes customers want to monitor the colour differences in the printing by taking the L′a′b′ obtained values as a result of printing from the printing houses. If the colour differences exceed the tolerance values, then they can interfere with the printing. As a result of the calculations, colour changes in electrophotographic printing are observed with many parameters. This study can be a pioneer for the studies that can be done on this subject.
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Colour is frequently taken for granted, but what do we mean by ‘colour’?
Kavita Mathur, Abdel-Fattah M. Seyam, David Hinks and R. Alan Donaldson
Today, Jacquard woven fabric producers are able to digitally control each warp yarn individually, pre-program the variable pick density and speed for each filling yarn, and…
Abstract
Today, Jacquard woven fabric producers are able to digitally control each warp yarn individually, pre-program the variable pick density and speed for each filling yarn, and automatically change a pattern without stopping the weaving process. Jacquard CAD systems dramatically reduce the time to produce fabric from the artwork or target design The process of weave/color selection for each area of the pattern is, however, still highly dependent on the CAD system operator who works from a particular color gamut. Multiple weaving trials are required to get a sample that matches the original artwork since the process requires the designer‘s subjective evaluation. The lack of automatic selection of weaves/color matching prompts this research.
This paper addresses the development of a geometric model for predicting the color contribution of each warp and filling yarn on the fabric surface in terms of construction parameters. The combination of geometric modeling and existing color mixing equations enables the prediction of the final color of different areas of a Jacquard pattern. The model was verified experimentally and a close agreement was found between a color mixing equation and the experimental measurements.
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A.K. Arof, N.A. Mat Nor, N.R. Ramli, I.M. Noor, N. Aziz and R.M. Taha
The purpose of the paper is to study the effect of color stability on introducing chenodeoxycholic acid (CDCA) into a colored liquid extract from saffron and determine the color…
Abstract
Purpose
The purpose of the paper is to study the effect of color stability on introducing chenodeoxycholic acid (CDCA) into a colored liquid extract from saffron and determine the color quality of the extract over a nine-month period.
Design/methodology/approach
Six colored liquid samples with different CDCA contents ranging from 0 to 45 Wt.% have been successfully prepared. Chromaticity (C*), color saturation (s), UV-Vis spectroscopy and coloring strength studies have been assessed to determine how CDCA influences the color properties and to study the color quality over time. The color quality was analyzed using the Commission Internationale de l’Eclairage (CIE) system.
Findings
All results obtained revealed that the addition of CDCA significantly influenced the overall color performance of the saffron extraction. However, the most pronounced improvement was recorded with the use of 45 Wt.% CDCA. The sample exhibited the highest color quality at the end of nine months of storage with highest absorbance: C* value = 91.38, color saturation = 0.96 and coloring strength = 687.
Practical implications
This preliminary study offers significant findings for further research focused on stability of natural colorants extracted from Spanish saffron that can provide benefits for future applications especially in coating industry, food, agriculture, medicine and others.
Originality/value
The values of this work can be observed from the information and evidence provided by CIE color stability in terms of chromaticity and saturation, as well as UV-Vis spectrophotometric measurement. It showed that the addition of CDCA additive can help to prolong and enhance the natural colorant properties from Spanish saffron (Crocus sativus L.) for nine month of storage. This proved that by adding additives such as CDCA the saffron colorant can be maintained. To the best of the authors’ concern, this is the first time CDCA is used to prevent color degradation of natural colorant from saffron.
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