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A quantitative microbiological risk assessment (QMRA) was developed to estimate the probability of getting listeriosis as a consequence of chicken and beef consumption in Chile. The paper aims to discuss these issues.

As a first step a deterministic retail-to-home model was constructed for the Chilean susceptible population, including storage, cross-contamination and cooking. Next, two probabilistic models were developed, including variability and/or the uncertainty of some of the parameters. The probabilistic models were analyzed by Monte Carlo simulations with 100,000 iterations.

Of the total susceptible population used in the model (2.81 million people), the deterministic model estimated 11 and two listeriosis cases because of beef and poultry consumption, respectively and the variability model estimated a mean of 322 and 7,546 cases for beef and poultry consumption, respectively. The uncertainty analysis showed large ranges, with realistic estimates made with an initial concentration of Listeria monocytogenes of 0.04-1 CFU/g and a dose-response parameter r ranging from 10-14 to 10-10.

The lack of information was the major limitation of the model, so the generation of it has to be a priority in Chile for developing less uncertain risk assessments in the future.

Raw animal products can be the cause of listeriosis cases if they are not stored, cooked and/or handled properly. Consumer education seems to be an essential factor for disease prevention.

This is the first QMRA made in Chile, and also the first study of listeriosis in non-processed meat.

The purpose of this paper to discuss ethical principles that are implicit in second-order cybernetics, with the aim of arriving at a better understanding of how second-order cybernetics frames living in a world with others. It further investigates implications for second-order cybernetics approaches to architectural design, i.e. the activity of designing frameworks for living.

The paper investigates terminology in the second-order cybernetics literature with specific attention to terms that suggest that there are ethical principles at work. It further relates second-order cybernetics to selected notions in phenomenology, pragmatism and transcendental idealism. The comparison allows for conclusions about the specificity of a second-order inquiry. In line with the thematic focus of this journal issue on the framing of shared worlds, the paper further elaborates on questions relating to the activity of designing “worlds” in which people live with others.

The paper highlights that a radical openness toward the future and toward the agency of others is inscribed in the conception of second-order cybernetics. It creates a frame of reference for conceiving social systems of all kinds, including environments that are designed to be inhabited.

The paper identifies an aesthetics grounded in the process of living-with-others as an ethical principle implicit in second-order cybernetics thought. It is an aesthetics that is radically open for the agency of others. Linking aesthetics and ethics, the paper’s contributions will be of specific value for practitioners and theoreticians of design. Considering second-order cybernetics as a practice generally dealing with designing, it also contributes to the wider second-order cybernetics discourse.

The purpose of this paper is to discuss the relevance of second‐order cybernetics for a theory of architectural design and related discourse.

First, the relation of architectural design to the concept of “poiesis” is clarified. Subsequently, selected findings of Gotthard Günther are revisited and related to an architectural poetics. The last part of the paper consists of revisiting ideas mentioned previously, however, on the level of a discourse that has incorporated the ideas and offers a poetic way of understanding them.

Gotthard Günther's conception of “You” is specifically valuable in reference to a theory of architectural design in the sense of an architectural poetics.

The research furthers the field of architecture by contributing to it a new theory in the form of an architectural poetics. It addresses questions of design with a procedural framework in which critical engagement is an intrinsic principle, and offers an alternative to existing discourses through a poetry of architectonic order that is open to the future.

The development of models for variables sampled at different frequencies has attracted substantial interest in the recent literature. In this article, we discuss classical and Bayesian methods of estimating mixed-frequency VARs, and use them for forecasting and structural analysis. We also compare mixed-frequency VARs with other approaches to handling mixed-frequency data.