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Art performance as a political communication tool in Indonesia: beyond the stage

Mahfud Mahfud (Sebelas Maret University, Surakarta, Indonesia) (Fakultas Keguruan dan Ilmu Pendidikan, Universitas 17 Agustus 1945 Banyuwangi, Banyuwangi, Indonesia)
Andrik Purwasito (Faculty of Culture Science, Sebelas Maret University, Surakarta, Indonesia)
Warto Warto (Faculty of Culture Science, Sebelas Maret University, Surakarta, Indonesia)
Wakit Abdullah Rais (Faculty of Culture Science, Sebelas Maret University, Surakarta, Indonesia)

International Journal of Sociology and Social Policy

ISSN: 0144-333X

Article publication date: 3 July 2024

Issue publication date: 26 September 2024

93

Abstract

Purpose

This retrospective phenomenological case study examines the experiences of 18 politicians who participated in a political campaign using performing arts and artists in a regional heads and legislators in Indonesia. Also, the role of Gandrung art as a performing art is becoming a political communication tool for political actors in Indonesia.

Design/methodology/approach

This study employs a retrospective phenomenological case. The informants recruited were 18 politicians who have local, regional and national political levels. The participants were interviewed about their experiences of campaigning using traditional performing arts as a form of political communication. Data collection techniques used in this study include interviews and photo documentation during the campaign process to triangulate findings.

Findings

Based on a case study analysis and through thematic analysis, this research reveals three emerging themes which indicate that performing arts function as political communication tools in three significant ways: (1) as a form of artistic expression for conveying political messages through movement and the use of dancer costumes; (2) as a medium for showcasing cultural identity and representation as a form of concern for the local culture of voters; and (3) as a means to garner mass appeal and propagate political propaganda.

Research limitations/implications

The study has two limitations. First, the study only interviewed a small number of participants. Thus, generalization for wider contexts of politicians is not possible. Second, the study focuses on examining the voice of politicians and analyzing it using thematic analysis.

Originality/value

There is a scarcity of research that specifically focuses on uncovering the perspectives of politicians who employ performing arts as a political communication tool. This study contributes to the understanding that art performance is inherently non-neutral, highlighting how performing arts can actively engage in political communication by conveying messages, shaping cultural identity and influencing public opinion in the context of Indonesia.

Keywords

Citation

Mahfud, M., Purwasito, A., Warto, W. and Rais, W.A. (2024), "Art performance as a political communication tool in Indonesia: beyond the stage", International Journal of Sociology and Social Policy, Vol. 44 No. 11/12, pp. 1087-1108. https://doi.org/10.1108/IJSSP-02-2024-0095

Publisher

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Emerald Publishing Limited

Copyright © 2024, Emerald Publishing Limited

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