American Short Stories

Abstract

Bernard Malamud said “…a short story packs a self in a few pages predicating a lifetime. The drama is tense, happens fast, and is more often than not outlandish. In a few pages the story portrays the complexity of a life while producing the surprise and effect of knowledge…” According to Helen Haines, “The short story may be, perhaps, best defined as the equivalent in fiction to the lyric in poetry and the one‐act play in drama: the intensified, concentrated expression of an idea or theme…It demands greater, but less sustained, mastery of style than does the novel…The brevity of the short story, while it limits, also makes for freedom…” The freedoms it allows include posing problems without solutions, ignoring logical development to a conclusion, and referring to vague ideas which are never detailed. These allowable omissions of the short story lead to its great power for the reader. For a short story is only completed through the interaction of its reader. “The readers are forced into active collaboration: they flesh out the story through memory, sympathy, and insight, and they feel its truth as immediately as a toothache.”

Citation

Joyce Rubin, R. (1984), "American Short Stories", Collection Building, Vol. 6 No. 2, pp. 29-32. https://doi.org/10.1108/eb023150