18)
List of contributors
ISBN: 978-1-78350-036-9, eISBN: 978-1-78350-037-6
ISSN: 1521-6136
Publication date: 21 December 2013
Citation
(2013), "List of contributors", Music and Law (Sociology of Crime, Law and Deviance, Vol. 18), Emerald Group Publishing Limited, Leeds, pp. vii-viii. https://doi.org/10.1108/S1521-6136(2013)0000018002
Publisher
:Emerald Group Publishing Limited
Copyright © 2013 Emerald Group Publishing Limited
| Heitor Alvelos | ID + Institute of Research in Design, Media and Culture, University of Porto, UPTEC PINC, Portugal |
| Cecilia Blengino | Dipartimento d Giurisprudenza, Università degli Studi di Torino, Torino, Italy |
| Victor P. Corona | Department of Social Sciences, Fashion Institute of Technology, New York, NY, USA |
| Manuel Cuadrado- García | Departamento de Comercialización e Investigación de Mercados, Universitat de València, Valencia, Spain |
| Mitch Daschuk | Department of Sociology, University of Saskatchewan, Saskatoon, Canada |
| Mathieu Deflem | Department of Sociology, University of South Carolina, Columbia, SC, USA |
| Serona Elton | Department of Music, Media, and Industry, University of Miami, Coral Gables, FL, USA |
| Jon M. Garon | Northern Kentucky University Chase College of Law, Highland Heights, KY, USA |
| Sara Towe Horsfall | Department of Sociology, Texas Wesleyan University, Fort Worth, TX, USA |
| Juan D. Montoro-Pons | Departamento de Economía Aplicada, Universitat de València, Valencia, Spain |
| Cynthia R. Nielsen | Ethics Program, Villanova University, Wayne, PA, USA |
| James Popham | Department of Sociology, University of Saskatchewan, Saskatoon, Canda |
| Danwill D. Schwender | Foldenauer Law Group, APLC, San Diego, CA, USA |
| Jean-Marie Seca | Department of Sociology, UFR Connaissance de l’Homme, University of Lorraine, NANCY CEDEX, France |
| Masaya Takahashi | Department of Education, Saitama University, Saitama, Japan |
- Music and law
- Sociology of crime, law and deviance
- Music and law
- Copyright page
- List of contributors
- Introduction: The laws of music
- If reagan played disco: Rocking out and selling out with the talking heads of political campaigns and their unauthorized use of music
- Graduated responses to online piracy: Approaches taken in the united states and around the world
- Music identities, individualization, and ownership shifts: Empowering a litigious paradigm of copyright protection
- The band: Artistic, legal, and financial structures which shape modern music
- The policy of electro-amplified popular music in France: The liberal context and the regulation of rebellious cultures
- Strategic Afro-modernism, dynamic hybridity, and bebop’s sociopolitical significance
- Cultural norms of Japanese folk and traditional music
- Scraping the barrel of analogue amnesia: The soft rescue of magnetic obscurity over the final embers of ‘expanded’ pop stardom
- Prison and pop
- Understanding deviant music
- Stolen or released music? The social construction of piracy in Italy
- Empirical insights into recorded music consumer behavior and copyright infringement