Index

Aesthetics and Style in Strategy

ISBN: 978-1-80043-237-6, eISBN: 978-1-80043-236-9

ISSN: 0742-3322

Publication date: 9 November 2020

This content is currently only available as a PDF

Citation

(2020), "Index", Cattani, G., Ferriani, S., Godart, F. and Sgourev, S.V. (Ed.) Aesthetics and Style in Strategy (Advances in Strategic Management, Vol. 42), Emerald Publishing Limited, Leeds, pp. 275-279. https://doi.org/10.1108/S0742-332220200000042010

Publisher

:

Emerald Publishing Limited

Copyright © 2021 Emerald Publishing Limited.


INDEX

Activity
, 106

Aesthetic(s)
, 173

code complexity
, 59, 64

dimension
, 22

innovation
, 141–142, 147–148, 165

Aesthetization process
, 3

Ambivalence
, 230–231

Analysis
, 143–144

Annual model
, 147

Apple
, 158

Art dealers or artists
, 53

Artistic capitalism
, 3

Autobiographies
, 144–145

Baseline model
, 129

Beatport. com
, 28

Biographies
, 144–145

Blonde Salad blog
, 134–135

Case(s)
, 143

Categorization
, 202

Category spanning
, 49–50

CC Fashion Week
, 233–234

Celebrity CEO
, 157

City Government
, 238–239

Coda
, 95–96

Codes
, 50, 70

complexity
, 50–52

Coherent-style typologies
, 21, 25

Colour(s)
, 27

theory
, 21, 34

Communication, individual intensity of
, 105–107

Competition
, 200–201

Competitive advantage
, 19–20

Competitor products
, 200–201

Complexity
, 50

Conformity
, 230–231

Conspicuous consumption
, 83

Conspicuousness
, 83–84

Consumer evaluations and implicit comparisons
, 202–204

social attention and evaluation
, 203

style and evaluation
, 202–203

stylistic similarity and social attention
, 203–204

Contemporary art
, 103

Conventionality
, 121, 126–127

Core city (CC)
, 229

Core–periphery
, 103

Craftsmanship
, 124

Creative industries
, 25–26, 51, 142

Creative innovators
, 42

Creative personalities
, 20

Critic(s)
, 104, 108–109, 111, 173, 179

distance
, 183–185

as gatekeepers in diffusion of style
, 177–180

implications, limitations and future research
, 191–193

method
, 181–186

reactivity and peer influence in stylistic innovation
, 180–181

results
, 187–191

reviews
, 185–186

style and stylistic dynamics
, 174–177

Cross-industry aesthetic innovation
, 166

Cultural

aestheticism in
, 4

continuity
, 176

hybridization
, 3

industries
, 142

innovation
, 230–231

mediators
, 178–179

Design
, 141–142, 175

Differentiation
, 230–231

Digimind
, 80–81

Digital market
, 121

Discogs
, 28

DJ-oriented marketplace
, 28

Double edge of legitimation
, 228–229

Elaboration of content
, 106–107

Electronic music
, 26

Embeddedness
, 55, 69

Enclothed cognition
, 94

Encoding–decoding process
, 50–52

Entrepreneurial pitches
, 135

Entrepreneurship scholarship
, 122

Entry timing
, 200–202

Environmental embeddedness
, 237–238

Ethnography
, 233

Etsy
, 123–124

Evaluation
, 200

Evangelical aesthetic innovation
, 143, 159

Extensiveness of content
, 106–107

Fashion
, 80, 163, 227–228

game
, 172–173

gatekeepers
, 174

industry
, 173

observers
, 177

Fashion Weeks
, 181–182

two tiers of
, 232–233

Footwear
, 79–80

Fordism
, 145–146

Front-row VIPs
, 242–243

Gatekeepers
, 172–174, 179

General Motors (GM)
, 143

Generalizability
, 71–72

Geography
, 228–229, 247–248

Global value chain analysis
, 228

Government funding
, 238

Grand Prix d’Horlogerie de Genéve
, 57–58

Heeled status-enhancement hypothesis
, 79, 85

Heels
, 79, 82

High-value sponsors
, 240

Ideal-typical styles of leadership
, 102–103

Imperfect imitation
, 228–229

Inertia
, 176

Innovation
, 230

Institutionalized aesthetic innovation

contributions
, 161–166

limitations
, 160–161

methodological approach
, 144–145

Starbucks and fresh new brew
, 150–155

Steve jobs as high priest–evangelical aesthetic innovation
, 155–159

strategic aesthetic innovation
, 145–149

Integrator
, 104, 108–109, 111

Jobs
, 143, 156

‘Kit of Parts’ store design model
, 150–151

Kroeber’s methodology
, 176

Language expectancy theory
, 122

Latent Dirichlet Allocation topic models
, 123

Laypersons
, 52–53

evaluation of product range code complexities
, 53–54

Leadership styles
, 6, 101–102, 108–109

Legitimacy

mediator
, 239

sources and signals of
, 234

‘Legitimate distinctiveness’
, 121

Legitimation
, 230–231, 246–247

Local audience
, 242–246

front-row VIPs
, 242–243

general audience ticket sales
, 243–244

performance challenges
, 244–246

Luxury watchmaking
, 51–52

contributions and implications
, 70–71

control variables
, 60–64

data and methodology
, 56–68

dependent variables
, 57–58

generalizability and future research
, 71–72

independent variables
, 58–60

research setting
, 55–56

results and analysis
, 64–68

theory
, 52–55

Matching
, 69

Media
, 239–240

Metropolitan coffee shops
, 152–153

Motion Picture Association of America ratings (MPAA ratings)
, 210

Motivation
, 69

Movie industry
, 205

Multimodal lens
, 143–144

Multiparty evaluation
, 51–53

Narrative(s)
, 1, 6, 121–122

conventionality
, 126–127

style
, 120, 122

topic modelling approach to investigating
, 123

Negative binomial regression
, 129

OLS statistical model
, 206–207

One-way ANOVA
, 86–87

Online digital platforms
, 135

Online movie evaluations
, 201

changes in demand and composition of consumers
, 214–217

data
, 205–206

empirical strategy
, 207

evaluation in markets
, 201–204

main analyses
, 210–212

model
, 206–207

research setting
, 204–205

supplementary analyses and robustness checks
, 212–217

temporary or persistent effects
, 212–214

variables
, 207–210

Optimal distinctiveness
, 163

ORA software
, 106–107

Organization(al)

complexity
, 51–52

culture
, 8–9

identities
, 6

level
, 8

practices
, 2

scholars
, 22, 102

style
, 21

Organizer
, 104

Pathways
, 143

Peacekeeper. See Integrator

Persistence
, 106

Photographers
, 51

Pinault-Printemps-Redoute (PPR)
, 181

Poisson model
, 129

‘Pop Art’ movement
, 3

Positioning choices
, 200–201

Power
, 78–79, 89–90

in social hierarchies
, 84–85

Professional(s)
, 52–53

evaluation of product range code complexities
, 54–55

movie critics
, 207

schemas
, 54

Rankings
, 202, 204

Ratings
, 205, 210

Reader
, 121

Redundancy
, 106

Robust estimators
, 129

Romantic relationships
, 83

Semantic network analysis
, 106–107

Semi-peripheral city (SPC)
, 228–229

data analysis
, 237–238

data collection
, 235–237

semi-peripheral foundations for compromised symbolic content
, 238–246

setting and methods
, 233–238

SPC Fashion Week
, 234–236, 242–243

strategic balance and legitimation
, 230–231

stratification of place
, 232–233

Semi-peripheral geography
, 229

Seminal aesthetic innovation
, 143

Semiotic function
, 21

Shoe style
, 86, 88–90, 93

Shoot ‘Em Up (action/adventure movie)
, 200

Signaling
, 78

Simplexity
, 70–71

Small groups
, 101–103

Social attention and evaluation
, 203–204

Social embeddedness
, 52

Social network

analysis
, 105–106

positions
, 107

Social sequence analysis (SSA)
, 134

Socio-semantic network analysis
, 102–103

case description and data
, 103–105

contributions to semantic content
, 107–113

method
, 105–107

results
, 107–113

Sound dimension
, 27–28

analytical manipulation
, 28–29

Sponsors
, 240–242

Starbucks
, 143, 150, 155

Status
, 78–79, 83–84

in social hierarchies
, 84–85

status–power transfer hypothesis
, 79, 85

Steve jobs as high priest–evangelical aesthetic innovation
, 155–159

Storytelling
, 6, 121

Strategic aesthetic innovation
, 143, 145, 149, 159–160

Strategic balance
, 230–231, 246–247

Strategic decision
, 142

Strategy
, 21

Stratification of place
, 232–233

Style
, 10, 20, 23, 120–122, 172, 174, 177, 227–228

analytical manipulation of sound dimension of style
, 28–29

analytical manipulation of visual dimension of style
, 29–30

change
, 177

control variables
, 31–34

impact of critical feedback on
, 187–191

data
, 28

dependent variables
, 30–31

distance
, 185

empirical setting and hypotheses
, 25–28

and evaluation
, 202–203

independent variables
, 31

instrumental use of
, 5–6

leadership
, 10

managerial scholarship
, 4–5

multi-dimensional, socially situated, semiotic
, 22–25

in practice
, 27–28

progression across time
, 187

results
, 34

statistical methods
, 30

strategic implications
, 20

technology
, 11–12

typologies
, 19–22, 24–25

value creation
, 9–10

Stylistic choice
, 78

heels
, 79–82

limitations and future research
, 95

power and shoe style
, 89–90

results
, 87–88, 91, 93

shoe style
, 86, 88, 90, 93

status and conspicuousness
, 83–84

theoretical contributions
, 93–94

Stylistic dynamics
, 174–177

Stylistic innovation, reactivity and peer influence in
, 180–181

Stylistic practice
, 23

Stylistic similarity
, 203–204

‘Swiss made’ label
, 58

Symbolic goods
, 174–175

Systems theory
, 176

Technological

code complexity
, 60, 64

traits
, 55

Textual fingerprinting
, 120

Third-party evaluations
, 200

Time series analysis
, 176

Topic modelling approach
, 121

empirical application
, 123–127

example data
, 123–124

to investigating narrative style
, 123

model specification
, 129

narratives and style
, 121–122

results
, 124–126

results
, 129–132

variables
, 127–129

‘Trickle down’ theory
, 177–178

Two-way ANOVA
, 91

Typological coherence
, 24

Université Libre de Bruxelles (ULB)
, 57–58

Urban spaces
, 103

Variance inflation factors (VIFs)
, 129

Visual dimension
, 27–28

analytical manipulation
, 29–30

Web-scraping methods
, 124

Within-category dynamics
, 70

Wristwatch Annual catalogue
, 56–57