TY  - CHAP
AB  - Abstract Since the arrival of mass production, commodification has been plaguing markets – none more so than that for music. By separating production and consumption in space and time, commodification challenges the very conditions underlying economic exchange. This chapter explores authenticity as the institutional response to the commodification of music, rekindling the relationship between isolated market participants in the increasingly digitized world of music. Building upon the “Production of Culture” perspective, we unpack the commodification of music across five different institutional realms – (1) production, (2) consumption, (3) selection, (4) appropriation, and (5) classification – and provide a thoroughly relational account of authenticity as an institutional practice.
VL  - 55
SN  - 978-1-78743-773-9, 978-1-78743-774-6/0733-558X
DO  - 10.1108/S0733-558X20180000055007
UR  - https://doi.org/10.1108/S0733-558X20180000055007
AU  - Askin Noah
AU  - Mol Joeri
ED  - Candace Jones
ED  - Massimo Maoret
PY  - 2018
Y1  - 2018/01/01
TI  - Institutionalizing Authenticity in the Digitized World of Music
T2  - Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics
T3  - Research in the Sociology of Organizations
PB  - Emerald Publishing Limited
SP  - 159
EP  - 202
Y2  - 2024/04/18
ER  -