“Black Man/White Tower”: A Performative Film Autocritography

Abstract

This piece is a performative keynote address delivered at the 2016 International Congress of Qualitative Inquiry, University of Illinois Champaign-Urbana. ¹ The keynote showed clips from films on education that triggered critical memories of the author’s own educational experience as teacher/scholar/administrator. The keynote was thus a performative film autocritography. The title “Black Man/White Tower” serves as a trope of tensiveness and transgression at the nexus of thick intersectionalities in higher education.

Citation

Alexander, B.K. (2017), "“Black Man/White Tower”: A Performative Film Autocritography", Oppression and Resistance (Studies in Symbolic Interaction, Vol. 48), Emerald Publishing Limited, Leeds, pp. 51-68. https://doi.org/10.1108/S0163-239620170000048006