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Crews, Camps, and Communities: Place and Belonging in Jam Festival Scenes

Symbolic Interactionist Takes on Music

ISBN: 978-1-78635-048-0, eISBN: 978-1-78635-047-3

Publication date: 1 October 2016

Abstract

In jam festival music scenes, participants build elaborate networks that connect members formally and informally between music events. Largely regional in scope, participants form these networks to develop and perform scene identities and cultivate intimate social relationships. Emerging through cultivated “crews” and “camps,” members build hubs of interaction that sustain and persist well beyond the festival event to create a vital sense of belonging and place. While the affective relationships formed at music festival events tend to be temporary, diffuse, and episodic, scene networks provide a “portable” interactional infrastructure that promotes relational continuity and persistence. These networks also provide more pragmatic benefits to networked members in the form of social and subcultural capital exchanged for symbolic and material rewards within the scene. Drawing from nearly 20 years of formal and informal participant observation in festival scenes, I provide an analysis of these networks and articulate common practices that drive their formation and continuation.

Keywords

Citation

Gardner, R.O. (2016), "Crews, Camps, and Communities: Place and Belonging in Jam Festival Scenes", Symbolic Interactionist Takes on Music (Studies in Symbolic Interaction, Vol. 47), Emerald Group Publishing Limited, Leeds, pp. 21-43. https://doi.org/10.1108/S0163-239620160000047011

Publisher

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Emerald Group Publishing Limited

Copyright © 2016 Emerald Group Publishing Limited