Literature and insights Editorial

Chris Cowton (Business School, University of Huddersfield, Huddersfield, UK)

Accounting, Auditing & Accountability Journal

ISSN: 0951-3574

Article publication date: 28 May 2019

Issue publication date: 28 May 2019

476

Citation

Cowton, C. (2019), "Literature and insights Editorial", Accounting, Auditing & Accountability Journal, Vol. 32 No. 2, pp. 689-690. https://doi.org/10.1108/AAAJ-02-2019-031

Publisher

:

Emerald Publishing Limited

Copyright © 2019, Emerald Publishing Limited


Strange counting

Introduction

Wilfred Owen (1893-1918) was the author of some of the best known poems of the First World War. He was killed in France on 4 November 1918, a week before the Armistice. In one of his last letters to his mother, Susan, he wrote from Scarborough, an English seaside resort: “I wish the Bosche (Germans) would have the pluck to come right in & make a clean sweep of the Pleasure Boats, and the promenaders on the Spa, and all the stinking Leeds & Bradford-profiteers now reading John Bull on Scarborough Sands” (Owen, 1918/1967). His remark harked back to the bombardment of Scarborough by German naval vessels in December 1914, when 18 civilians were killed (Marsay, n.d.). However, probably unknown to Owen, Chartered Accountants had been recruited by the Ministry of Munitions to control profiteering by suppliers to the armed forces (Armstrong, 1987; Loft, 1986; Marriner, 1980; Walker, 2017).

The sonnet form, traditionally consisting of 14 lines in iambic pentameter arranged in three quatrains and a final couplet, was used several times by Owen. At least two of his sonnets employed the Shakespearean version (i.e. using the abab, etc., rhyming scheme)[1], which is the form used here, but with a change to the final couplet, which is not in iambic pentameter. Instead, taking the famous phrase of Horace’s, “Dulce et decorum est pro patria mori[2]”, the first part of which was used by Owen as the title for one of his most famous poems[3], the word “mori” (to die) is here replaced with “numerare” (to count). The end of this poem thus echoes not only the title of Owen’s poem but also the motto of the Institute of Chartered Accountants in England and Wales, “Recte Numerare”, which may be rendered “to reckon or count rightly”.

The poem

The Western Front: some shell-shocked ground is gained;

But trenches taken come at heavy cost.

What profit from the doomed youth, killed or maimed?

The ordered rows of crosses count the lost.

A sea front: fact’ry owners promenade,

Their children gather shells upon the sand;

While labour in the mills works long and hard

And profits grow as output meets demand.

The home front: the accountants do their share.

(They also serve who only keep the score.)

Are profiteers in check, the margins fair?

Forget the pity; fix the price of war.

Dulce et decorum est

Pro patria numerare

Notes

1.

“With an Identity Disc” and “Anthem for Doomed Youth”.

2.

It may be translated “it is a sweet and honorable thing to die for one’s country”.

3.

“Dulce et Decorum Est”.

References

Armstrong, P. (1987), “The rise of capitalist controls in British capitalist enterprises”, Accounting, Organizations and Society, Vol. 12 No. 5, pp. 415-436.

Loft, A. (1986), “Towards a critical understanding of accounting; the case of cost accounting in the UK, 1914-1925”, Accounting, Organizations and Society, Vol. 11 No. 2, pp. 137-169.

Marriner, S. (1980), “The Ministry of Munitions 1915-1919 and the government accounting procedures”, Accounting and Business Research (Special Accounting History Issue), pp. 130-142.

Marsay, M. (n.d.), “The bombardment of Scarborough 1914”, available at: http://news.bbc.co.uk/local/york/hi/people_and_places/history/newsid_8123000/8123846.stm (accessed 28 August 2018).

Owen, W.E. (1918/1967), “Letter to Susan Owen, Saturday 10th August 1918”, in Owen, H. and Bell, J. (Eds), Wilfred Owen: Collected letters, Oxford University Press, London, p. 568.

Walker, S.P. (2017), “Accountants and the pursuit of the national interest: a study of role conflict during the first world war”, Critical Perspectives on Accounting, Vol. 47 No. 1, pp. 8-25.

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