Index
Laura Way
(University of Lincoln)
Punk, Gender and Ageing: Just Typical Girls?
ISBN: 978-1-83982-569-9, eISBN: 978-1-83982-568-2
Publication date: 14 September 2020
This content is currently only available as a PDF
Citation
Way, L. (2020), "Index", Punk, Gender and Ageing: Just Typical Girls?, Emerald Publishing Limited, Leeds, pp. 1-20. https://doi.org/10.1108/978-1-83982-568-220200002
Publisher
:Emerald Publishing Limited
Copyright © 2020 Laura Way
INDEX
Accommodation
, 9, 14–15, 51, 101–102, 106, 110–111, 120, 125, 134
Adulthood
, 9, 10, 17, 24, 27, 46, 63, 82–83, 97, 101, 109–114, 120, 121, 134–135
Ageing body
, 21, 105
Agency
, 5, 15, 21, 24, 53, 55–57, 62, 64, 79, 99, 105, 129–130, 170
Alcohol
, 8, 24, 81
consumption
, 88, 96–98, 115
Alternative
, 10–12, 25, 47, 54–57
Alternative women
, 10–11, 129
Anarchism
, 28, 34
Appearance labour
, 47, 62, 105, 111–114
Associational distancing
, 41, 73
Authenticity
, 40–44, 46, 105, 121, 130, 136
Autonomy
, 28, 56, 117, 154, 160
Barriers
, 3, 24, 81, 87–90, 127–128, 165
Body
, 3, 7, 15, 21–22, 47, 57, 102, 105, 129, 136, 159, 162
Career
, 18–20, 48, 78, 83, 131, 136
CCCS
, 5, 8, 12–16, 21, 24, 54–55, 67, 133
Childcare
, 88–89, 90, 130
responsibilities
, 77, 87, 90
Children
, 53, 67, 77, 82–83, 88–89, 110, 124
Community
, 28, 30, 34–36, 40, 83–84, 94, 98, 116, 118, 127
Consistent Punks’
, 101, 118, 120–124, 126, 128, 134–135, 137
Data analysis
, 166–168
Definitions
, 25–46
DIY cultures
, 5, 7, 28–31, 33–35, 37, 40, 78, 83–84, 88, 98, 117, 169
Double standard in ageing
, 9, 57
Dress
, 47–63
E-mail
, 2, 4, 38, 121–123, 157, 159
interviews
, 164–166
Embodiment
, 3, 22
Emotion
, 69–71, 78, 85–86, 91, 131
Employment
, 2, 9, 16, 24, 87, 101, 111–118, 134, 163
Ethics
, 2, 4, 155, 168–171
Expectations
, 7–8, 24, 26, 31, 99, 101–108, 114–115, 118, 120, 126, 130, 134–136
Fan studies
, 17
Fandom
, 5, 9, 17–18, 40, 65, 69, 76, 83, 85, 87, 91, 93, 99
Femininity
, 6–7, 11–12, 14–16, 31, 49–50, 55, 64, 68–69
Feminism
, 4, 8, 30, 34, 41, 56, 89, 155–156
Feminist methodology
, 4, 155
Feminist research
, 4, 153, 155–157, 168–169, 171
Gateway bands
, 65–68, 71–72
Gender
, 1, 3, 5–7, 11–12, 16, 18, 21–22, 41, 44, 77–78, 89, 99, 101, 120, 128–131, 136, 154, 163, 1710
Gig etiquette
, 24, 81, 95–96
Gigs
, 9, 18, 63, 72, 74–75, 81–87, 90–98, 116, 120, 133, 136
Grounded theory
, 4, 137, 153–155
Hair
, 10, 14–15, 48–55, 107
Imposter syndrome
, 39–41, 46, 121, 135
Inductivism
, 4
Initial entry
, 24, 34, 47–49, 69–71, 120, 131
Initial exposure
, 26, 47–52, 54, 68–70, 122–123, 131–133
Insider knowledge
, 28, 44–46, 58
Insider research
, 4
Internalisation
, 10, 27–28, 36, 46, 56, 63, 101, 105, 119, 123–124, 126, 128–129, 134–135
Interviews
, 169
e-mail
, 164–166
semi-structured
, 159–164
Life course
, 5, 17–18, 21, 23, 27, 101, 119, 137
Limitations
, 3, 9, 20, 24, 51, 136–138, 165–166
Male dominance
, 7, 41
Malleability of punk values
, 101, 118, 125–126, 129–130, 135
Marginalisation
, 5, 8, 138, 161
Marginalised group
, 4, 82, 136, 156, 161
Marriage
, 107
Masculine subculture
, 6–7, 16, 68, 82, 88
Methodology
, 4–5, 96
data analysis
, 166–168
e-mail interviews
, 164–166
ethics
, 168–171
feminist research
, 155–157
induction and grounded theory
, 153–155
qualitative methods
, 157
sampling
, 157–159
semi-structured interviews
, 159–164
Music
, 24, 65–79, 81–98
Musical tastes
, 5, 8, 43, 54, 62, 67–68, 71–74, 120–122, 133
Never Massively Outrageous’
, 101, 118, 122, 126, 135
Normal others
, 9, 26, 70
Nostalgia
, 63, 75, 86
Parents
, 9, 26, 51, 53–54, 64, 67, 78, 133
Paths
, 118
Pathways
, 72, 78, 83, 90, 101, 118, 121, 131, 134–135, 137–138
Patriarchy
, 6, 68, 88
Policing
, 44, 94, 104, 106, 119
Political consciousness
, 23, 28, 32–34, 127
Positioning
, 90–95
Post-subcultural approaches
, 8, 17, 20, 21, 67, 133
Power
, 5, 11, 14, 21, 156, 160, 170
Predisposition
, 9, 20, 26, 65, 69–70, 78, 131–133
Punk
, 1, 5, 25–46
Punk as a state of mind
, 27–36
Punk as processual
, 23, 24, 79
Punk as relational
, 24, 46, 125, 136
Punk career
, 9–10, 24, 26, 46, 65, 69, 72, 78, 83, 90, 101, 118, 123, 131–136
Punk cues
, 24, 47, 55, 57–63, 119
Punk facilitators
, 65–71
Punk values
, 24, 31–33, 36, 41, 43, 46, 58, 83, 101, 116–118, 125–126, 133–134
Qualitative research
, 153, 163, 167
Rebellion
, 25–46, 58, 69, 72, 103, 128
Reflexivity
, 4, 62, 133, 154, 156, 170
Research participants
, 1–3, 23–24, 30, 35–36, 45, 52, 78, 91, 95, 120–121, 125, 128, 135, 153, 156–157, 162–163, 166, 169, 170–171
Resistance
, 3, 5, 12–16, 22, 31, 51, 101–125, 130
Resources
, 88
Riotgrrl
, 8, 30
Sampling
, 4, 8, 137, 153, 157–159
Scene
, 18, 64
Social ageing
, 60, 87, 97, 101–102, 105, 128–129, 135
Social dynamics
, 24, 82, 86, 114
Straight-edge (sXe)
, 7, 10, 13, 37, 63, 105
Strategies for ageing
, 123–125
Structural constraints
, 129
Subcultural identification
, 3, 127–128
Subjective experiences
, 3, 55, 137
Subversion
, 27, 30–32
Toner Downs’
, 101, 119–120, 122, 124, 126, 134–135
Toning down
, 11, 119, 121–122, 128–130, 134–135
Venue
, 24, 83, 91, 93, 95
Work-life balance
, 87, 111, 114, 116
Youth culture
, 5, 8, 14, 67
Zones
, 91–92, 95
- Prelims
- Chapter 1: Playing A-Minor in the Punk Scene or All Girls to the Front? An Introduction
- Chapter 2: Definitions, or, ‘What’ and ‘Who’ is Punk?
- Chapter 3: ‘Doing’ Punk: Dress
- Chapter 4: ‘Doing’ Punk: The Role of Music and its Continued Significance
- Chapter 5: Doing Punk: Music in the Context of Gig Attendance
- Chapter 6: Ageing, Adulthood and Punk
- Chapter 7: Conclusion: Punk Women Growing Old Disgracefully?
- Appendix: Methodology
- References
- Index