Index

Johel Brown-Grant (US Department of State, USA)

Knowledge Management and the Practice of Storytelling

ISBN: 978-1-83982-481-4, eISBN: 978-1-83982-480-7

Publication date: 20 January 2022

This content is currently only available as a PDF

Citation

Brown-Grant, J. (2022), "Index", Knowledge Management and the Practice of Storytelling, Emerald Publishing Limited, Leeds, pp. 125-128. https://doi.org/10.1108/978-1-83982-480-720211017

Publisher

:

Emerald Publishing Limited

Copyright © 2022 by Emerald Publishing Limited


INDEX

Advocates
, 65

American Productivity and Quality Center (APQC)
, 15

Argument
, 39, 86

Art
, 5–6

Assessments
, 81–82

ethnographic competencies and skills assessment
, 90–91

and knowledge management
, 82–83

performative competencies and skill assessment
, 88–90

rhetorical competencies and skill assessment
, 86–88

storytelling assessment
, 84–86

types
, 81–82

Asynchronous delivery of story
, 21

Audience
, 43, 52–53

analyses
, 41–47

using storytelling to persuade
, 38, 40

types of audience analysis
, 43

Audit
, 95–97

Autoethnography
, 75

Capture knowledge
, 16

Cautionary stories
, 20–21

Character development
, 35–36

Characterization
, 35–36

Cinematic storytelling
, 6–7

Co-production
, 89

Cognitive basis of storytelling
, 7–10

Collaboration
, 19

Commitment to values
, 45

Communication audit
, 96

Competency matrix
, 36, 38, 40–41, 46–47, 56–57, 76, 78

Competency-based education (CBE)
, 84

Competency/competencies
, 26–27

analysis
, 36, 40, 46–47, 55, 57, 76, 78

assessing
, 83

Connection
, 89–90

Content

analysis
, 73

audit
, 95–96

Craft
, 11–12

Create knowledge
, 16

Dastangoi
, 18

Data storytelling
, 6–7

Delivery of story
, 20

Demographic analysis
, 44–45

Diagnostic assessments
, 81

Direct assessments
, 82

Effectiveness of storytelling

challenges in storytelling assessment
, 103–104

impact assessment
, 93–94

Kirkpatrick model
, 101–103

pre-assessment
, 94–97

storytelling audit
, 97–100

storytelling outcomes
, 100–101

Emotion
, 7–8

Ethnographic competencies and skills assessment
, 90–91

Ethnography
, 59–60

analyze story
, 73–75

interview
, 64–66

methods
, 60

narrative analysis
, 70–73

participation observation
, 60–62

storytelling interview
, 66

and tacit knowledge
, 75–78

Evaluate knowledge
, 16–17

Evaluation
, 39

Explicit knowledge
, 15–16

Finding story
, 19

Formative assessments
, 81

Framework
, 8

Globalize knowledge
, 17

Griot
, 10

Holistic storytelling strategy
, 108–109

Identity
, 6–7

Impact

assessment
, 93–94

evaluations
, 94

questions
, 40

Imprecision
, 54

Indigenous communities
, 11

Indirect assessments
, 82

Informants
, 65

Information audits
, 96–97

Information consumption preferences
, 46

Information systems audits
, 96

Information values
, 46

Institutional challenges
, 104

Integrate knowledge
, 16

Integrity
, 87

International Organization for Standardization (ISO)
, 95–97

Interpretation
, 54–55

Interviewees
, 64–65

Intonational autonomy
, 54

Inventory
, 95–96

Judgmental assessments
, 82

Kirkpatrick model
, 101–103

behavior
, 102–103

learning
, 102

reaction
, 101–102

results
, 103

Knowledge

assets
, 97

audits
, 97

capabilities
, 97

keepers
, 18

life cycle models
, 17

maturity
, 17

organizations
, 19

sharing
, 46, 54, 57

transfer
, 21

type
, 75

Knowledge management (KM)
, 1–2, 15, 17

analysis
, 45–46

assessments and
, 82–83

audience analysis
, 45–46

finding story
, 19

maturity
, 46

methodology
, 19–21

plot type
, 20–21

as practice
, 16–17

storytelling and
, 18–19

tacit vs. explicit knowledge
, 15–16

Language
, 12–13

Learner/actors
, 65

Lessons learned
, 107–109

Listening
, 12–13

Literacy
, 23–24

Matrix analysis
, 36

of audience analysis
, 46–47

of ethnography
, 76–78

of performance
, 56–57

of persuasion
, 40–41

of plot and character development
, 36–38

Meaning of storytelling
, 5–6

Memory
, 8–9

Mirroring
, 18–19

Models
, 17

Narration
, 51

Narratives
, 1, 10

analysis
, 70–73

context
, 73

engagement
, 39

inventory chart
, 70

type and function
, 74

National Storytelling Festival in Jonesborough, TN
, 53

Nonjudgmental assessments
, 82

Objective assessments
, 82

Observer
, 60–61

On-site assessments
, 82

Oral cultures
, 18

Oral tradition
, 52–54

Organizational storytelling voice
, 28–29

Organizational values
, 45

Outcomes
, 94

Participant
, 6–7

Participation observation
, 60–62

challenges to conducting
, 64

prepare for
, 61–62

for storytelling initiatives
, 62–64

Performance
, 49–50

as act of narration
, 51

as art
, 53–54

as collaboration
, 52–53

as discourse
, 50–51

and knowledge sharing
, 54–57

as reenactment
, 51–52

type to deliver story
, 50–54

Performative competencies and skill assessment
, 88–90

Performative quality
, 2

Performer
, 50

Personal stories
, 71

Persuasion
, 33–34

Persuasive arguments
, 39

Plot
, 34–35

Practical applications
, 36–38

Practice
, 10–13

Practitioners
, 13

Pre-assessment
, 94–97

Pre-interview guide for storytelling interview
, 68–69

Prior knowledge
, 46

Producers
, 94

Production
, 17

Productive, expandable, social concept of skill (PES concept of skill)
, 25

Psychographic analysis
, 45

Qualitative assessments
, 82

Quantitative assessments
, 82

Re-enactment
, 89

Refining
, 13

Repetition
, 54

Reporters
, 65

Research
, 1–2

collaborators
, 65

Resonance
, 87

Retrospective assessments
, 82

Rhetoric
, 33

Rhetorical and discursive foundations of storytelling
, 33–34

Rhetorical competencies and skill assessment
, 86–88

Rhetorical situation
, 33–34

Rubrics
, 84

Sensegiving
, 87–88

Sensemaking
, 9–10, 39, 87

Share knowledge
, 16

Situational analysis
, 43–44

Skills
, 24–26

assessing
, 83

Socially constructed skills
, 25–26

Speaker
, 2

Spontaneous side comments and response units
, 54

Standards
, 39

Store knowledge
, 17

Story
, 1

analyze
, 73–75

structure
, 34–36

Story-making
, 11–12

Storyteller
, 27–28

Storytelling
, 1–2, 5, 7

cognitive basis
, 7–10

identity
, 28

and knowledge management
, 18–19

in knowledge management
, 107–109

in other domains
, 6–7

outcomes
, 100–101

perceptions
, 45

to persuade audiences
, 38–40

as practice
, 10–13

rhetorical and discursive foundations of
, 33–34

strategist
, 28

voice
, 28–29

Storytelling assessment
, 84–86

assessing people
, 85

assessing product
, 85–86

assessing storytelling competencies and skills
, 86

challenges in
, 103–104

practical considerations for
, 84–86

Storytelling audit (S-Audit)
, 94–97

basic framework for
, 98

conduct
, 97–100

Storytelling competencies

case for
, 27–29

characteristics of individuals
, 27–28

characteristics of organizations
, 28–29

standards for development of storytelling competencies and skills
, 110–111

Storytelling festivals
, 11–13

Storytelling interview
, 66

challenges to
, 69–70

conduct
, 67–70

Storytelling listening
, 67

Storyworld
, 39, 86–87

Strategist
, 28

Structure of story
, 34–36

Subjective assessments
, 82

Summative assessments
, 81

Synchronous delivery of story
, 20–21

Syntactic autonomy
, 54

Tacit knowledge
, 15–16, 75, 78

Telling of story
, 12

Time-stamped assessments
, 81–82

Training of story
, 21

Transfer
, 90

knowledge
, 16

Transferability
, 87

Transportability
, 87

Transportation
, 39

Vocabulary
, 88–89

Voice
, 28–29

Workforce
, 100