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Public Art in French New Towns: From Experiments to Heritage1

Lessons from British and French New Towns: Paradise Lost?

ISBN: 978-1-83909-431-6, eISBN: 978-1-83909-430-9

Publication date: 18 November 2020

Abstract

The development of public art in French New Towns in the 1970s and 1980s was one of the most spectacular forms of state intervention in urban policy. Along with the new architecture programmes, the hundreds of works of art that adorn the public realm of the French New Towns help to differentiate them from the grands ensembles. This public art, which was highly publicised at the time, represents a heritage intrinsically linked to the urban history of New Towns but also to the history of French cultural policies at the end of the twentieth century. Artistic and town planning innovations underlie many public art projects. Artists and town planners participated, on a city scale, in the cultural developments that sought to respond to the expectations of the May 1968 crisis. In New Towns, the role of art was not simply to provide a backdrop to beautify the city but also to contribute to the success of new urban neighbourhoods. This involved placing visual landmarks in the urban space, confronting the residents with living art (painted walls, sculpted staircases, light paths, etc.).

The appropriation of these works of art by the public and councils was far from unanimous. It was only at the beginning of the twenty-first century that a heritage reflection emerged and led to a list of works of art being drawn up, with a view to protecting them. With the disappearance of state supervision over certain New Towns (1998–2002), damaged works has become a stigma in the public realm. A policy of restoration is being therefore introduced in certain New Towns, with public art participating in the identity of councils that do not hesitate to present themselves as ‘contemporary towns’ and take on the restoration or achievement of certain works that they now consider to be their heritage.

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Citation

Vadelorge, L. (2020), "Public Art in French New Towns: From Experiments to Heritage1 ", Fée, D., Colenutt, B. and Schäbitz, S.C. (Ed.) Lessons from British and French New Towns: Paradise Lost?, Emerald Publishing Limited, Leeds, pp. 173-182. https://doi.org/10.1108/978-1-83909-430-920201012

Publisher

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Emerald Publishing Limited

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