TY  - CHAP
AB  - Abstract On 2 September 2015, it was announced that Tom Ford would again be ‘dressing James Bond’, Daniel Craig, in Spectre (Mendes, 2015) after tailoring his suits for Quantum of Solace (Forster, 2008) and Skyfall (Mendes, 2012). Ford noted that ‘James Bond epitomises the Tom Ford man in his elegance, style and love of luxury. It is an honour to move forward with this iconic character’.  With the press launch of ‘Bond 25’(and now titled No Time to Die) on 25 April 2019, it is reasonable to speculate that Ford will once again be employed as James Bond’s tailor of choice, given that it is likely to be Craig’s last outing as 007. Previous actors playing the role of James Bond have all had different tailors. Sean Connery was tailored by Anthony Sinclair and George Lazenby by Dimitro ‘Dimi’ Major. Roger Moore recommended his own personal tailors Cyril Castle, Angelo Vitucci and Douglas Hayward. For Timothy Dalton, Stefano Ricci provided the suits, and Pierce Brosnan was dressed by Brioni. Therefore, this chapter will analyse the role of tailoring within the James Bond films, and how this in turn contributes to the look and character of this film franchise more generally. It aims to understand how different tailors have contributed to the masculinity of Bond: an agent dressed to thrill as well as to kill.
SN  - 978-1-83867-163-1, 978-1-83867-165-5/
DO  - 10.1108/978-1-83867-165-520201008
UR  - https://doi.org/10.1108/978-1-83867-165-520201008
AU  - Chapman Llewella
ED  - Steven Gerrard
PY  - 2020
Y1  - 2020/01/01
TI  - ‘Fitting Fleming’s Hero like a Savile Row Suit’: The Tailoring of James Bond
T2  - From Blofeld to Moneypenny: Gender in James Bond
T3  - Emerald Studies in Popular Culture and Gender
PB  - Emerald Publishing Limited
SP  - 69
EP  - 88
Y2  - 2024/04/19
ER  -