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The Making of Monstrosity: Exploring the Monster Figure Through the Lens of Gender

aThe Graduate Center, CUNY, USA
bBrock University, Canada

Interdisciplinary Essays on Monsters and the Monstrous

ISBN: 978-1-80117-028-4, eISBN: 978-1-80117-027-7

Publication date: 20 October 2022

Abstract

What relation does the monster figure have to gender? It is widely accepted that monsters in television, cinema and literature commonly stand in for the Other, be that a social, political or racialised Other. To consider monsters and monstrosity through the lens of gender is to investigate the links between the monster figure and the Others that exist under the system of patriarchy – most notably women, gender-diverse people and queer folks. In this collective chapter, Francesca Lopez, Russ Martin and Chloe Olivo explore how the monster figure relates to gender via a conversation that traces the links between three individually written chapters – X-Men: The Normative System Disguised as Mutant, Dragula and the Expansive Queerness of the Drag Supermonster and Femicide on the Frontier: Analysing Motives Behind the Femicide Crisis in Ciudad Juàrez. Each of these chapters investigates social norms relating to gender and those who challenge or defy them. Ultimately, the authors argue, it is those whose gendered and sexual identities are not associated with social power that are made monstrous by the patriarchy. This conversation-based chapter considers both real-life situations in which real people are made monstrous and monsters from fiction films and reality television. Ultimately, the authors suggest that the monster figure can be powerful and transformative for those who exist on the margins of the patriarchy – though, as this chapter documents, such is not always the case.

Keywords

Citation

Lopez, F., Martin, R. and Olivo, C.I. (2022), "The Making of Monstrosity: Exploring the Monster Figure Through the Lens of Gender", Schotanus, M.S. (Ed.) Interdisciplinary Essays on Monsters and the Monstrous (Emerald Interdisciplinary Connexions), Emerald Publishing Limited, Leeds, pp. 141-154. https://doi.org/10.1108/978-1-80117-027-720221009

Publisher

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Emerald Publishing Limited

Copyright © 2022 Francesca Lopez, Russ Martin and Chloë Isabel Olivo. Published under exclusive licence by Emerald Publishing Limited