Index

Australian Metal Music: Identities, Scenes, and Cultures

ISBN: 978-1-78769-168-1, eISBN: 978-1-78769-167-4

Publication date: 4 June 2019

This content is currently only available as a PDF

Citation

(2019), "Index", Hoad, C. (Ed.) Australian Metal Music: Identities, Scenes, and Cultures (Emerald Studies in Metal Music and Culture), Emerald Publishing Limited, Bingley, pp. 151-157. https://doi.org/10.1108/978-1-78769-167-420191008

Publisher

:

Emerald Publishing Limited

Copyright © 2019, Selection and editorial matter Catherine Hoad


INDEX

Index

Note: Page numbers followed by “n” with numbers indicate footnotes.

Absurdity
, 43–44, 46, 49

AC/DC (band)
, 3–4, 10, 19–20, 24–26, 30–32

Advance Australia Warfare (album)
, 96

Adventure sports
, 63

Adventurousness
, 60

Affect
, 73–74, 77–78, 80–81

Deleuze’s approach to
, 76

Alcohol-fuelled crowds
, 24, 26

‘Alien citizens’
, 112

American frontiersman
, 65

American Wow
, 22

Amity Affliction, The (band)
, 11, 55–56

Anatolia (album)
, 121

Angels, The (band)
, 3–4, 10, 30, 32, 32n22

Anthrax
, 47

Anthropocene
, 131, 137, 139, 142

Anti-Islam movement
, 118

Anti-Muslim prejudice
, 118

Antipodes
, 75, 94

Antisemitism
, 118n3

ANZAC legend
, 65, 92

Apocalypticism
, 131, 137, 139

Arbrynth (band)
, 135

Ark (album)
, 141, 141n1

Artefacts
, 39, 49, 82, 92

Ascension of King Yobbo
, 25

Australia
, 4, 112, 132–133

ecometal in context
, 131–133

and indigeneity
, 6–9

metal in
, 4–6

performing
, 9–14

Australian accents
, 39n2

Australian ecometal music
, 131, 137

Australian extreme metal bands (AEM bands)
, 38

Blood Duster
, 46–48

coding
, 38–39

and global connections
, 41–43

King Parrot
, 48–50

larrikinism
, 39

origins and mechanisms of international proliferation
, 40–41

Sadistik Exekution
, 43–46

Australian gothic cinema
, 94

Australian heavy metal
, 6, 20, 118

bands
, 5, 133–134

scenes
, 2, 4, 6

Australian Heavy Rock (1971)
, 25–27

Australian hegemonic masculinity
, 59

Australian identity
, 1–2, 4, 8–9, 11, 48, 56, 64

authentic
, 10

Australian identity
, 2

Australian Liberty Alliance (ALA)
, 118

Australian masculinity
, 11, 56, 58–59, 65

Australian metal
, 2–3

descriptors
, 6

music
, 92

Australian music
, 20

Australian Muslims
, 112

Australian Pub Rock, emergence of
, 23–25

Australian record-buying market
, 22

Australian-made 200-watt Strauss Hurricane RMS valve amplifier
, 29

Australianness
, 2, 4–5, 7, 9–10, 48

Authenticity
, 6, 113, 122–124

Aztecs
, 10, 25, 31

ending
, 24

heavy blues rock sound
, 23

at Sunbury
, 27

Back In Black (album)
, 32

Baglama (Turkish instruments)
, 121

Ball Power (album)
, 27–28

Banal nationalism
, 119

Beasts of Bourbon (band)
, 33

Bill Haley’s Comets (band)
, 21–22

Billy Thorpe
, 10, 20, 23–24, 27

‘Birth’ (song)
, 100

Bite Your Head Off (band)
, 48–49

Black Flag (band)
, 57

Black metal
, 38, 113

Black Metal band symbolism
, 115

Black Sabbath (band)
, 19, 25, 28–29

Black-Eyed Bruiser (album)
, 32n21

Blackfeather (band)
, 4, 24, 27n13

Blast beats
, 6, 43, 46, 49, 113

Blaze in the Northern Sky, A (album)
, 49

Blockhead Rock
, 25

Blood Duster (band)
, 38–39, 46–48, 75

‘Boneyard’ (song)
, 134

Buffalo (band)
, 3–4, 10, 25–26, 28–30

Buster Brown (band)
, 10, 25

Byron Bay Youth Centre
, 57, 59, 60, 64

‘Cane Cutter’s Lament’ (song)
, 49n7

Cannibal Corpse
, 43

Capitalism
, 114, 136–137

Carbon Neutral
, 141, 141n2

Carson (band)
, 27n13

Carson County Band (band)
, 24

Cascades (band)
, 136, 142

Casual misogyny
, 11

‘Catastrophic terminus’
, 135–137

Chain (band)
, 24, 27n13

Christian metalcore
, 57

Cicadan (band)
, 138, 142

Claim the Throne (band)
, 92, 98–100

‘Clash of civilisations’
, 111, 113

Climate change
, 131–133, 137, 142

Climate skepticism
, 132

‘Climate wars’
, 132

‘Cold Bloom’ (song)
, 136

‘Coldness of Darkest Night’ (song)
, 102

Colonial myth, positioning women in
, 96–104

Colonialism
, 134–135

Coloured Balls (band)
, 3–4, 10, 25–28, 31

Confession (band)
, 11, 55–56

‘Conventual punishment’
, 102

Cosmic Psychos (band)
, 33, 51

Cradle of Filth (band)
, 123

Creeping sharia
, 112–124

Cronulla riots in Sydney
, 39

‘Cultural wasteland’
, 74, 80, 82

‘Culture wars’
, 132

Cultures of punk and metal in muslim communities
, 120–122

Daddy Who? Daddy Cool (album)
, 25

Darbuka (Turkish instruments)
, 121

‘Dark Days’ (song)
, 135–136

Darkthrone (band)
, 40, 44, 47, 49

‘Dave Slave’ (band)
, 44

‘Dead End’ (band)
, 49

articulating environmental anxieties
, 133–140

Australia ecometal in context
, 131–133

‘catastrophic terminus’
, 135–137

Coda
, 142

environmental concerns
, 130–131

environmental discourses of Australian ecometal
, 131

‘going bush’ romantic reconnections
, 137–140

misanthropy
, 133–135

thinking beyond misanthropic, apocalyptic and romantic
, 140–141

‘Dead Set’ (song)
, 48–49

Deadspace (band)
, 92, 99–100

Death (band)
, 40

in Australia
, 121


Death metal
, 38, 113

‘Deathcrust Zikr’ (song)
, 121–122

Deep Blue (album)
, 62

Deep Purple and Free (band)
, 25

‘Defiling Paradise’ (song)
, 133

Deleuzian/Massumian approaches
, 77

Destroyer (album)
, 134

‘Distinction’ analysis
, 81–82

‘Divine’ (song)
, 140

Doom metal
, 38

‘Dreaming’ (song)
, 8n1

‘Dreamtime’ (song)
, 8n1

‘Eagle Rock’ (song)
, 25

Eardrum-straining volume
, 24

Earthwalker (album)
, 141

Eco-apocalyptic endings
, 135–137

Ecocriticism
, 131

Ecohorror
, 134–135

Ecological destruction
, 138

Ecology of sounds
, 141

Ecometal
, 131

Ecometal
, 136, 140

bands
, 130

music
, 132

‘18 Days of Rain’ (song)
, 102

Encircling Sea (band)
, 138, 142

Energy policy
, 133

Entombed (band)
, 40

Environmentalism
, 132, 135, 137

Environmentally aware music
, 141

Eureka Brigade (band)
, 119

Exaggeration
, 44

Examinate (album)
, 135

Extreme metal music scenes
, 96

Extreme metal substyles
, 38

Falls of Rauros (band)
, 138

Fascism
, 112

Female musicianship
, 92

Feminine gothic aesthetic
, 101

Finch (band)
, 25

Fisting the Dead (EP)
, 46, 75

Fluid Prejudice (anthology)
, 114

Forgotten Land, A (album)
, 138

Frankenstein (Shelley)
, 93

Fraternity (band)
, 24

Frontierswoman
, 92–93, 96, 103–104

construction of women’s role
, 103–104

deadspace
, 99–100

gothic sublime
, 92–94

metal music
, 96–97

Perth music scene
, 95–96

visual coding
, 102–103

Western Australian frontierswomen
, 101–102

women’s experience in colonial mythology
, 97–98

Gene Vincent and His Blue Caps (album)
, 22

Gibson Maestro FZ-1 fuzz-tone
, 22

Glam Rock
, 30–32

Go-Set (pop music newspaper)
, 27n14

‘Gore-grindcore’
, 75

Gothic aesthetic
, 92

Gothic ecocriticism
, 139–140

Gothic notions of abyss
, 100

“Gothic prison” metaphor
, 94

Gothic sublime
, 3, 12, 92–94, 98–99, 103, 105

Grave (band)
, 40

Grindcore scene
, 38, 46, 74–76

Hagopian’s approach
, 93

‘Harbinger Scavenger’ (song)
, 98

Hard Ons (band)
, 33

Hard Road (album)
, 32n21

Hard-edged non-mainstream peers
, 22n6

Hazeen (band)
, 112–113

creating
, 114–116

In Hearts Wake (band)
, 140–142

Heavy metal
, 113, 116, 140

in Australia
, 4

dark fantasies’
, 130

gangs
, 7–8

heavy metal in Turkey
, 120–121

music
, 130

politics of
, 116–177

scenes in Australia
, 9

Heavy Metal (album)
, 7

Heavy Metal Kid (album)
, 20, 28

AC/DC, Glam Rock and Directions in Hard Boogie
, 30–32

Australian Heavy Rock (1971)
, 25–27

Buffalo
, 28–30

Coloured Balls
, 27–28

emergence of Australian Pub Rock
, 23–25

Loyde, Lobby
, 21–23

into metal
, 32–33

‘Heavy Over the Home’ (song)
, 102

Heteronormativity in surfing, effects of
, 66

Highway To Hell (album)
, 32

Hoax Is Over, The (album)
, 24–25

Hobbs’ Angel of Death (band)
, 5, 42

Hollow World (band)
, 133–134, 142

Home Is for the Heartless (film)
, 56, 58–59, 62–64

‘Homosexual’ behaviour
, 66

Homosociality
, 58–59

Hopelessness
, 142

Humanity
, 134, 137

Humour
, 38, 49

‘Hyper-separation’ of humanity
, 139

I Killed the Prom Queen (band)
, 56

‘Illusion of disembeddedness’
, 138

‘Images of ecology’
, 136, 141

Indigeneity, Australia and
, 6–9

Instrumental Christian colonialism
, 7

‘Insurgency’ (song)
, 9

Islamofascism
, 120

Islamophobia
, 112, 114, 118

addressing metal’s ‘race problem’
, 116–120

creating Hazeen
, 114–116

cultures of punk and metal in muslim communities
, 120–122

Hazeen
, 112–113

questions of authenticity and belonging
, 122–124

Jet (band)
, 33

‘Jihad’ (song)
, 117

Jouissance
, 74, 80

‘Kafir’ (song)
, 117

Kigay
, 8

King Parrot (band)
, 38–39, 48–50

King Yobbo
, 26

ascension of
, 25

Kvlt (album)
, 48

La De Da’s (band)
, 27n13

Lacan’s approach
, 74

Lacanian frameworks
, 76

Lacanian Real
, 77

Laddishness
, 11, 55

Larrakin
, 11

Larrikin
, 3, 38–39, 66–67

Larrikinism
, 11, 38–39, 66–67

Left-wing politics
, 74–75

Less Talk Records
, 86

Lesstalkrecords (Australian extreme metal discussion board)
, 76

Let There Be Rock (album)
, 32

Level Six
, 41

LGBT+ communities
, 7

Light that Dwells in Rotten Wood, The (album)
, 138

Liquid Sky’ (album)
, 102

Liquor Control Act (1968)
, 24

Living In The 70’s (album)
, 31

Loyde, Lobby (guitarist)
, 3–4, 10, 21–23

Maestro
, 22

Mainstream thrash bands
, 117

Manning, Phil (Chain guitarist)
, 26

Masculinity
, 39

Massumian/Deleuzian approach
, 76

Mateship
, 58–59, 65

‘Math-rock’ acts
, 57

Melbourne

experimental psychedelic freakbeat pop/soul rockers
, 22

grindcore in
, 74–76

scene-members
, 74, 76–77, 80–81, 84–85

scenic discourse of jocularity
, 83

suburbs
, 26

Melbourne Grind Syndicate (MGS)
, 75, 81–82, 86–87

Melbourne grindcore fans
, 74

methodology
, 76–78

Metal
, 2, 58–59

in Australia
, 4–6

mobs
, 8

music
, 96–97

race problem
, 116–120

Metal Downunderground (Phillipov)
, 4, 9

Metal scenes
, 4

Australianness in
, 4

imagining Australia and indigeneity
, 6–9

Metalcore
, 56

Metallic hardcore
, 57

Microgenres
, 46

Misanthropy
, 133–135, 139

Moby Dick (album)
, 134

Moon Dweller (band)
, 134

Morbid (band)
, 40

Morbid Angel (band)
, 40

Morbid Mag
, 41

‘Moronic entertainment for Yobbos’ (Australian pub rock)
, 26

Mortal Sin (band)
, 5

Mother (album)
, 138–140

Music Feeds
, 122

Muslim black/death metal in Australia
, 121

Mysteries of Udolpho, The (Radcliffe)
, 93

Mysterium tremendum (Burke)
, 92–93

Napalm Death (band)
, 40, 74, 75n1, 119

National identity
, 2–5, 9, 11, 39, 58–59, 64–65, 124

New Matilda
, 122

Ney (Turkish instruments)
, 121

Nihilist (band)
, 40

Nile (band)
, 117

NoKTuRNL
, 9

‘Normal Dudes’
, 59–62, 67

Northlane (band)
, 56

Norwegian black metal movement
, 42

Nu-metal
, 57, 58n2

Nullarbor Plain
, 95, 98–99

Obituary
, 40

Objet petit a
, 77, 80–81, 85

‘On Desolate Plains’ (song)
, 98

‘Only the Dead’ (song)
, 124

Only Want You For Your Body (album)
, 29–30

Ontopology
, 95, 99

‘Organized Sadistik Abuse’ (song)
, 43

Orientalism
, 13, 63, 111, 113, 116, 120

Outdoorsman-ship
, 60

Oz rock (band)
, 3–4

Pantera
, 57–58

Parkway Drive (band)
, 134, 140, 142

Australian masculinities
, 56, 58–59

cultural naivety
, 63

Home Is for the Heartless (film)
, 62–64

metalcore
, 56

music, media and image
, 56

‘Normal Dudes’
, 59–62

punk and metal
, 56–58

thesis
, 65–67

Parkway Drive: The DVD (film)
, 56, 58–61

Pentagram (band)
, 121

Personal Journey, A (album)
, 8

Perth Gazette
, 103

Perth metal bands
, 92, 103

Perth music scene
, 95

Pessimism
, 142

Pirana (band)
, 24, 27n13

Polaris (band)
, 56

Pokies
, 82–84

‘Porno-grindcore’
, 75

‘Post-hardcore’
, 57

Power-age (album)
, 32

Pre-demo rehearsal tapes
, 41n4

Presley’s original Sun recordings (Moore)
, 22

Profane Culture (Willis)
, 61n3

‘Promise of Oblivion, The’
, 100

Proto-metal
, 25

Proto-metallic traits
, 25

Pseudo-immediacy
, 77, 80, 86

Psycroptic
, 47

‘Pub rock’
, 4

Punk culture
, 41

Punk-metal
, 56–58

Purity
, 6

Purple Hearts, The (band)
, 22

Racism
, 39

Radical environmentalism
, 133

Real, Symbolic and Imaginary (RSI)
, 76–77, 80

Refugee Art Project
, 124

‘Rehearsal tapes’
, 41n4

Resist Comics (comics anthology)
, 114

Right-wing nationalist movements
, 117

Rock Your Arse Off (album)
, 28

‘Rok’
, 44

Romanticism
, 137–140

Rose Tattoo (band)
, 3, 4, 10, 25, 32n22

Sadistik Exekution (band)
, 38–39, 43–46

Saint Vitus (band)
, 57

Sanzu (band)
, 92, 102

Satanic symbols
, 121n5

Self-deprecation
, 44

Self-sufficiency
, 6

Seven Churches (album)
, 40

Shape of Death to Come, The (album)
, 47

Shape of Jazz to Come, The (album)
, 47

Shape of Punk to Come, The (album)
, 47

Sharpie youth culture
, 26–27

Shining, The (film)
, 49

‘Shit on the Liver’ (song)
, 49

Silliness
, 44

‘Silly Ol’ Mate’ (song)
, 49

Slaughter Lord (band)
, 42

Slayer
, 41–42

‘Slayer beats’
, 43

‘Sloth’
, 44

‘Sniffers’
, 7

South Australian bands
, 25

‘Sovereign Murders’ (song)
, 115, 121, 123

Spear of Longinus (band)
, 118

Str8 Outta Northcote (album)
, 47

Straight Outta Compton (album)
, 47

Strauss (Australian company)
, 23

Structural violence
, 102

Sunbury Pop Festival
, 27

Sunbury Rock Festival (film)
, 25

Sydney

grindcore in
, 74–76

Santana-influenced Pirana
, 25

scene-members
, 77–78, 84

Sydneysiders
, 80, 83–84

Symbolism
, 115

Tamam Shud (Australian pub rock acts)
, 27n13

Tape trading
, 41

Taqwacores, The (novel)
, 122

Taste of Blood (album)
, 42

‘Terra Nullius’ (song)
, 9

Textual analysis
, 58

That’s Life (album)
, 22

Thorpe, Billy
, 23–24, 27

Trading networks
, 41

Traditional Middle Eastern instruments
, 121

‘Tropes of Australianness’
, 8

Turkey, heavy metal in
, 120–121

Turkish instruments
, 121

Ubiety’ music video
, 102–103

‘Under the Black Crescent Moon’ (song)
, 114, 121

Underground zines
, 41

Vaginal Carnage (band)
, 83

Visual coding
, 102–103

Volcanic Rock (album)
, 29–30

Wake in Fright (film)
, 94

Walkabout (film)
, 94

War against terrorism
, 116

‘Western Front’ project
, 92

White masculinity
, 119

White power
, 117

Wild Cherries
, 22, 27n13

Wimpism
, 45

Wolf Creek (film)
, 94

Wolves (band)
, 137

‘Women’s rhetorical aesthetic’
, 93

Working class

masculinity
, 4

suburban drinking audiences
, 26

Xenophobia
, 113

You Am I (band)
, 33

‘You Can’t Go Around Saying Fuck Onstage’ (song)
, 26

You See Monsters (documentary)
, 119, 123

Zines
, 41–42, 114