Citation

(2019), "Index", Hoad, C. (Ed.) Australian Metal Music: Identities, Scenes, and Cultures (Emerald Studies in Metal Music and Culture), Emerald Publishing Limited, Leeds, pp. 151-157. https://doi.org/10.1108/978-1-78769-167-420191008

Publisher

:

Emerald Publishing Limited

Copyright © 2019, Selection and editorial matter Catherine Hoad

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INDEX

Index

Note: Page numbers followed by “n” with numbers indicate footnotes.

Absurdity

, 43–44, 46, 49

AC/DC (band)

, 3–4, 10, 19–20, 24–26, 30–32

Advance Australia Warfare (album)

, 96

Adventure sports

, 63

Adventurousness

, 60

Affect

, 73–74, 77–78, 80–81

Deleuze’s approach to

, 76

Alcohol-fuelled crowds

, 24, 26

‘Alien citizens’

, 112

American frontiersman

, 65

American Wow

, 22

Amity Affliction, The (band)

, 11, 55–56

Anatolia (album)

, 121

Angels, The (band)

, 3–4, 10, 30, 32, 32n22

Anthrax

, 47

Anthropocene

, 131, 137, 139, 142

Anti-Islam movement

, 118

Anti-Muslim prejudice

, 118

Antipodes

, 75, 94

Antisemitism

, 118n3

ANZAC legend

, 65, 92

Apocalypticism

, 131, 137, 139

Arbrynth (band)

, 135

Ark (album)

, 141, 141n1

Artefacts

, 39, 49, 82, 92

Ascension of King Yobbo

, 25

Australia

, 4, 112, 132–133

ecometal in context

, 131–133

and indigeneity

, 6–9

metal in

, 4–6

performing

, 9–14

Australian accents

, 39n2

Australian ecometal music

, 131, 137

Australian extreme metal bands (AEM bands)

, 38

Blood Duster

, 46–48

coding

, 38–39

and global connections

, 41–43

King Parrot

, 48–50

larrikinism

, 39

origins and mechanisms of international proliferation

, 40–41

Sadistik Exekution

, 43–46

Australian gothic cinema

, 94

Australian heavy metal

, 6, 20, 118

bands

, 5, 133–134

scenes

, 2, 4, 6

Australian Heavy Rock (1971)

, 25–27

Australian hegemonic masculinity

, 59

Australian identity

, 1–2, 4, 8–9, 11, 48, 56, 64

authentic

, 10

Australian identity

, 2

Australian Liberty Alliance (ALA)

, 118

Australian masculinity

, 11, 56, 58–59, 65

Australian metal

, 2–3

descriptors

, 6

music

, 92

Australian music

, 20

Australian Muslims

, 112

Australian Pub Rock, emergence of

, 23–25

Australian record-buying market

, 22

Australian-made 200-watt Strauss Hurricane RMS valve amplifier

, 29

Australianness

, 2, 4–5, 7, 9–10, 48

Authenticity

, 6, 113, 122–124

Aztecs

, 10, 25, 31

ending

, 24

heavy blues rock sound

, 23

at Sunbury

, 27

Back In Black (album)

, 32

Baglama (Turkish instruments)

, 121

Ball Power (album)

, 27–28

Banal nationalism

, 119

Beasts of Bourbon (band)

, 33

Bill Haley’s Comets (band)

, 21–22

Billy Thorpe

, 10, 20, 23–24, 27

‘Birth’ (song)

, 100

Bite Your Head Off (band)

, 48–49

Black Flag (band)

, 57

Black metal

, 38, 113

Black Metal band symbolism

, 115

Black Sabbath (band)

, 19, 25, 28–29

Black-Eyed Bruiser (album)

, 32n21

Blackfeather (band)

, 4, 24, 27n13

Blast beats

, 6, 43, 46, 49, 113

Blaze in the Northern Sky, A (album)

, 49

Blockhead Rock

, 25

Blood Duster (band)

, 38–39, 46–48, 75

‘Boneyard’ (song)

, 134

Buffalo (band)

, 3–4, 10, 25–26, 28–30

Buster Brown (band)

, 10, 25

Byron Bay Youth Centre

, 57, 59, 60, 64

‘Cane Cutter’s Lament’ (song)

, 49n7

Cannibal Corpse

, 43

Capitalism

, 114, 136–137

Carbon Neutral

, 141, 141n2

Carson (band)

, 27n13

Carson County Band (band)

, 24

Cascades (band)

, 136, 142

Casual misogyny

, 11

‘Catastrophic terminus’

, 135–137

Chain (band)

, 24, 27n13

Christian metalcore

, 57

Cicadan (band)

, 138, 142

Claim the Throne (band)

, 92, 98–100

‘Clash of civilisations’

, 111, 113

Climate change

, 131–133, 137, 142

Climate skepticism

, 132

‘Climate wars’

, 132

‘Cold Bloom’ (song)

, 136

‘Coldness of Darkest Night’ (song)

, 102

Colonial myth, positioning women in

, 96–104

Colonialism

, 134–135

Coloured Balls (band)

, 3–4, 10, 25–28, 31

Confession (band)

, 11, 55–56

‘Conventual punishment’

, 102

Cosmic Psychos (band)

, 33, 51

Cradle of Filth (band)

, 123

Creeping sharia

, 112–124

Cronulla riots in Sydney

, 39

‘Cultural wasteland’

, 74, 80, 82

‘Culture wars’

, 132

Cultures of punk and metal in muslim communities

, 120–122

Daddy Who? Daddy Cool (album)

, 25

Darbuka (Turkish instruments)

, 121

‘Dark Days’ (song)

, 135–136

Darkthrone (band)

, 40, 44, 47, 49

‘Dave Slave’ (band)

, 44

‘Dead End’ (band)

, 49

articulating environmental anxieties

, 133–140

Australia ecometal in context

, 131–133

‘catastrophic terminus’

, 135–137

Coda

, 142

environmental concerns

, 130–131

environmental discourses of Australian ecometal

, 131

‘going bush’ romantic reconnections

, 137–140

misanthropy

, 133–135

thinking beyond misanthropic, apocalyptic and romantic

, 140–141

‘Dead Set’ (song)

, 48–49

Deadspace (band)

, 92, 99–100

Death (band)

, 40

in Australia

, 121

Death metal

, 38, 113

‘Deathcrust Zikr’ (song)

, 121–122

Deep Blue (album)

, 62

Deep Purple and Free (band)

, 25

‘Defiling Paradise’ (song)

, 133

Deleuzian/Massumian approaches

, 77

Destroyer (album)

, 134

‘Distinction’ analysis

, 81–82

‘Divine’ (song)

, 140

Doom metal

, 38

‘Dreaming’ (song)

, 8n1

‘Dreamtime’ (song)

, 8n1

‘Eagle Rock’ (song)

, 25

Eardrum-straining volume

, 24

Earthwalker (album)

, 141

Eco-apocalyptic endings

, 135–137

Ecocriticism

, 131

Ecohorror

, 134–135

Ecological destruction

, 138

Ecology of sounds

, 141

Ecometal

, 131

Ecometal

, 136, 140

bands

, 130

music

, 132

‘18 Days of Rain’ (song)

, 102

Encircling Sea (band)

, 138, 142

Energy policy

, 133

Entombed (band)

, 40

Environmentalism

, 132, 135, 137

Environmentally aware music

, 141

Eureka Brigade (band)

, 119

Exaggeration

, 44

Examinate (album)

, 135

Extreme metal music scenes

, 96

Extreme metal substyles

, 38

Falls of Rauros (band)

, 138

Fascism

, 112

Female musicianship

, 92

Feminine gothic aesthetic

, 101

Finch (band)

, 25

Fisting the Dead (EP)

, 46, 75

Fluid Prejudice (anthology)

, 114

Forgotten Land, A (album)

, 138

Frankenstein (Shelley)

, 93

Fraternity (band)

, 24

Frontierswoman

, 92–93, 96, 103–104

construction of women’s role

, 103–104

deadspace

, 99–100

gothic sublime

, 92–94

metal music

, 96–97

Perth music scene

, 95–96

visual coding

, 102–103

Western Australian frontierswomen

, 101–102

women’s experience in colonial mythology

, 97–98

Gene Vincent and His Blue Caps (album)

, 22

Gibson Maestro FZ-1 fuzz-tone

, 22

Glam Rock

, 30–32

Go-Set (pop music newspaper)

, 27n14

‘Gore-grindcore’

, 75

Gothic aesthetic

, 92

Gothic ecocriticism

, 139–140

Gothic notions of abyss

, 100

“Gothic prison” metaphor

, 94

Gothic sublime

, 3, 12, 92–94, 98–99, 103, 105

Grave (band)

, 40

Grindcore scene

, 38, 46, 74–76

Hagopian’s approach

, 93

‘Harbinger Scavenger’ (song)

, 98

Hard Ons (band)

, 33

Hard Road (album)

, 32n21

Hard-edged non-mainstream peers

, 22n6

Hazeen (band)

, 112–113

creating

, 114–116

In Hearts Wake (band)

, 140–142

Heavy metal

, 113, 116, 140

in Australia

, 4

dark fantasies’

, 130

gangs

, 7–8

heavy metal in Turkey

, 120–121

music

, 130

politics of

, 116–177

scenes in Australia

, 9

Heavy Metal (album)

, 7

Heavy Metal Kid (album)

, 20, 28

AC/DC, Glam Rock and Directions in Hard Boogie

, 30–32

Australian Heavy Rock (1971)

, 25–27

Buffalo

, 28–30

Coloured Balls

, 27–28

emergence of Australian Pub Rock

, 23–25

Loyde, Lobby

, 21–23

into metal

, 32–33

‘Heavy Over the Home’ (song)

, 102

Heteronormativity in surfing, effects of

, 66

Highway To Hell (album)

, 32

Hoax Is Over, The (album)

, 24–25

Hobbs’ Angel of Death (band)

, 5, 42

Hollow World (band)

, 133–134, 142

Home Is for the Heartless (film)

, 56, 58–59, 62–64

‘Homosexual’ behaviour

, 66

Homosociality

, 58–59

Hopelessness

, 142

Humanity

, 134, 137

Humour

, 38, 49

‘Hyper-separation’ of humanity

, 139

I Killed the Prom Queen (band)

, 56

‘Illusion of disembeddedness’

, 138

‘Images of ecology’

, 136, 141

Indigeneity, Australia and

, 6–9

Instrumental Christian colonialism

, 7

‘Insurgency’ (song)

, 9

Islamofascism

, 120

Islamophobia

, 112, 114, 118

addressing metal’s ‘race problem’

, 116–120

creating Hazeen

, 114–116

cultures of punk and metal in muslim communities

, 120–122

Hazeen

, 112–113

questions of authenticity and belonging

, 122–124

Jet (band)

, 33

‘Jihad’ (song)

, 117

Jouissance

, 74, 80

‘Kafir’ (song)

, 117

Kigay

, 8

King Parrot (band)

, 38–39, 48–50

King Yobbo

, 26

ascension of

, 25

Kvlt (album)

, 48

La De Da’s (band)

, 27n13

Lacan’s approach

, 74

Lacanian frameworks

, 76

Lacanian Real

, 77

Laddishness

, 11, 55

Larrakin

, 11

Larrikin

, 3, 38–39, 66–67

Larrikinism

, 11, 38–39, 66–67

Left-wing politics

, 74–75

Less Talk Records

, 86

Lesstalkrecords (Australian extreme metal discussion board)

, 76

Let There Be Rock (album)

, 32

Level Six

, 41

LGBT+ communities

, 7

Light that Dwells in Rotten Wood, The (album)

, 138

‘Liquid Sky’ (album)

, 102

Liquor Control Act (1968)

, 24

Living In The 70’s (album)

, 31

Loyde, Lobby (guitarist)

, 3–4, 10, 21–23

Maestro

, 22

Mainstream thrash bands

, 117

Manning, Phil (Chain guitarist)

, 26

Masculinity

, 39

Massumian/Deleuzian approach

, 76

Mateship

, 58–59, 65

‘Math-rock’ acts

, 57

Melbourne

experimental psychedelic freakbeat pop/soul rockers

, 22

grindcore in

, 74–76

scene-members

, 74, 76–77, 80–81, 84–85

scenic discourse of jocularity

, 83

suburbs

, 26

Melbourne Grind Syndicate (MGS)

, 75, 81–82, 86–87

Melbourne grindcore fans

, 74

methodology

, 76–78

Metal

, 2, 58–59

in Australia

, 4–6

mobs

, 8

music

, 96–97

race problem

, 116–120

Metal Downunderground (Phillipov)

, 4, 9

Metal scenes

, 4

Australianness in

, 4

imagining Australia and indigeneity

, 6–9

Metalcore

, 56

Metallic hardcore

, 57

Microgenres

, 46

Misanthropy

, 133–135, 139

Moby Dick (album)

, 134

Moon Dweller (band)

, 134

Morbid (band)

, 40

Morbid Angel (band)

, 40

Morbid Mag

, 41

‘Moronic entertainment for Yobbos’ (Australian pub rock)

, 26

Mortal Sin (band)

, 5

Mother (album)

, 138–140

Music Feeds

, 122

Muslim black/death metal in Australia

, 121

Mysteries of Udolpho, The (Radcliffe)

, 93

Mysterium tremendum (Burke)

, 92–93

Napalm Death (band)

, 40, 74, 75n1, 119

National identity

, 2–5, 9, 11, 39, 58–59, 64–65, 124

New Matilda

, 122

Ney (Turkish instruments)

, 121

Nihilist (band)

, 40

Nile (band)

, 117

NoKTuRNL

, 9

‘Normal Dudes’

, 59–62, 67

Northlane (band)

, 56

Norwegian black metal movement

, 42

Nu-metal

, 57, 58n2

Nullarbor Plain

, 95, 98–99

Obituary

, 40

Objet petit a

, 77, 80–81, 85

‘On Desolate Plains’ (song)

, 98

‘Only the Dead’ (song)

, 124

Only Want You For Your Body (album)

, 29–30

Ontopology

, 95, 99

‘Organized Sadistik Abuse’ (song)

, 43

Orientalism

, 13, 63, 111, 113, 116, 120

Outdoorsman-ship

, 60

Oz rock (band)

, 3–4

Pantera

, 57–58

Parkway Drive (band)

, 134, 140, 142

Australian masculinities

, 56, 58–59

cultural naivety

, 63

Home Is for the Heartless (film)

, 62–64

metalcore

, 56

music, media and image

, 56

‘Normal Dudes’

, 59–62

punk and metal

, 56–58

thesis

, 65–67

Parkway Drive: The DVD (film)

, 56, 58–61

Pentagram (band)

, 121

Personal Journey, A (album)

, 8

Perth Gazette

, 103

Perth metal bands

, 92, 103

Perth music scene

, 95

Pessimism

, 142

Pirana (band)

, 24, 27n13

Polaris (band)

, 56

Pokies

, 82–84

‘Porno-grindcore’

, 75

‘Post-hardcore’

, 57

Power-age (album)

, 32

Pre-demo rehearsal tapes

, 41n4

Presley’s original Sun recordings (Moore)

, 22

Profane Culture (Willis)

, 61n3

‘Promise of Oblivion, The’

, 100

Proto-metal

, 25

Proto-metallic traits

, 25

Pseudo-immediacy

, 77, 80, 86

Psycroptic

, 47

‘Pub rock’

, 4

Punk culture

, 41

Punk-metal

, 56–58

Purity

, 6

Purple Hearts, The (band)

, 22

Racism

, 39

Radical environmentalism

, 133

Real, Symbolic and Imaginary (RSI)

, 76–77, 80

Refugee Art Project

, 124

‘Rehearsal tapes’

, 41n4

Resist Comics (comics anthology)

, 114

Right-wing nationalist movements

, 117

Rock Your Arse Off (album)

, 28

‘Rok’

, 44

Romanticism

, 137–140

Rose Tattoo (band)

, 3, 4, 10, 25, 32n22

Sadistik Exekution (band)

, 38–39, 43–46

Saint Vitus (band)

, 57

Sanzu (band)

, 92, 102

Satanic symbols

, 121n5

Self-deprecation

, 44

Self-sufficiency

, 6

Seven Churches (album)

, 40

Shape of Death to Come, The (album)

, 47

Shape of Jazz to Come, The (album)

, 47

Shape of Punk to Come, The (album)

, 47

Sharpie youth culture

, 26–27

Shining, The (film)

, 49

‘Shit on the Liver’ (song)

, 49

Silliness

, 44

‘Silly Ol’ Mate’ (song)

, 49

Slaughter Lord (band)

, 42

Slayer

, 41–42

‘Slayer beats’

, 43

‘Sloth’

, 44

‘Sniffers’

, 7

South Australian bands

, 25

‘Sovereign Murders’ (song)

, 115, 121, 123

Spear of Longinus (band)

, 118

Str8 Outta Northcote (album)

, 47

Straight Outta Compton (album)

, 47

Strauss (Australian company)

, 23

Structural violence

, 102

Sunbury Pop Festival

, 27

Sunbury Rock Festival (film)

, 25

Sydney

grindcore in

, 74–76

Santana-influenced Pirana

, 25

scene-members

, 77–78, 84

Sydneysiders

, 80, 83–84

Symbolism

, 115

Tamam Shud (Australian pub rock acts)

, 27n13

Tape trading

, 41

Taqwacores, The (novel)

, 122

Taste of Blood (album)

, 42

‘Terra Nullius’ (song)

, 9

Textual analysis

, 58

That’s Life (album)

, 22

Thorpe, Billy

, 23–24, 27

Trading networks

, 41

Traditional Middle Eastern instruments

, 121

‘Tropes of Australianness’

, 8

Turkey, heavy metal in

, 120–121

Turkish instruments

, 121

Ubiety’ music video

, 102–103

‘Under the Black Crescent Moon’ (song)

, 114, 121

Underground zines

, 41

Vaginal Carnage (band)

, 83

Visual coding

, 102–103

Volcanic Rock (album)

, 29–30

Wake in Fright (film)

, 94

Walkabout (film)

, 94

War against terrorism

, 116

‘Western Front’ project

, 92

White masculinity

, 119

White power

, 117

Wild Cherries

, 22, 27n13

Wimpism

, 45

Wolf Creek (film)

, 94

Wolves (band)

, 137

‘Women’s rhetorical aesthetic’

, 93

Working class

masculinity

, 4

suburban drinking audiences

, 26

Xenophobia

, 113

You Am I (band)

, 33

‘You Can’t Go Around Saying Fuck Onstage’ (song)

, 26

You See Monsters (documentary)

, 119, 123

Zines

, 41–42, 114