This study is aimed at assessing the ROC military using the PMMM according to the perceptions of the citizens of Taiwan. The patterns that can be detected in Taiwan’s military show that it paradoxically spans three distinct stages: the modern, late modern, and postmodern. Taiwan’s is a modern military in terms of perceived threat, force structure, major mission definition, and civilian employees. It can be regarded as more of a late-modern model in the dimensions of dominant military professional, public attitude, and women’s role. Lastly, it achieves a postmodern designation as regards the role of spouses, homosexuals, conscientious objection, and media relations. In all, this paints a picture of a fractured military culture: one between two worlds. This should not be surprising: to many in Taiwan, Taiwan itself is a fractured culture, seeking to define its identity, and find its place in the world, and in history. In the dimensions in which Taiwan rates as a modern military, we can see this is driven by external factors. The geopolitical scenario in which the nation finds itself, that is, under threat of invasion by a numerically and technologically superior foe, is very much a pre-Cold War scenario. It exhibits a late-modern model in the dimensions of public attitude and women’s role, and a postmodern model when it comes to the role of spouses, homosexuals, conscientious objection, and media relations – all factors that are related primarily to how the military interacts with the society it protects. Thus, we have a bifurcated profile. The ROC military must, as it does, focus on a modern-era threat perception, just as it must, as it does, focus on a postmodern-era approach to women and homosexuals in the military.
Emerald Publishing Limited
Copyright © 2018 Dean Karalekas