Index
Medievalism and Metal Music Studies: Throwing Down the Gauntlet
ISBN: 978-1-78756-396-4, eISBN: 978-1-78756-395-7
Publication date: 6 September 2019
This content is currently only available as a PDF
Citation
(2019), "Index", Barratt-Peacock, R. and Hagen, R. (Ed.) Medievalism and Metal Music Studies: Throwing Down the Gauntlet (Emerald Studies in Metal Music and Culture), Emerald Publishing Limited, Leeds, pp. 181-189. https://doi.org/10.1108/978-1-78756-395-720191016
Publisher
:Emerald Publishing Limited
Copyright © Introduction, editorial matter and selection Ruth Barratt-Peacock and Ross Hagen, 2019; individual chapters their respective authors, 2019.
INDEX
Note: Page numbers followed by “n” with numbers indicate notes.
Abruptum (band)
, 122
‘Aces High’ (song)
, 153
Acoustic instruments
, 44–48
Acrylic painting
, 25
Adaptation
, 23
Aerum
, 174
‘Afrenta de Corpes’ (song)
, 93, 100
al-Kafirun
, 90
Albums
, 13, 16
covers
, 15, 21–22
element
, 15
packaging formats
, 30
Alexander Romance
, 87–88
‘Alexander the Great’ (song)
, 83–84, 86–87, 90
Alexanderias
, 88
Alt-Right
, 48–51
‘Altars of Moss’ (song)
, 154
Amon Amarth (band)
, 63
Anachronism
, 37–39, 151
Anapestic rhythms
, 46
Ancient pagan cosmology
, 173
Ancient Rites (band)
, 16–18
And the Hordes Stood as One (album)
, 17
And Thou Shalt Trust … The Seer (album)
, 42
Anderson, Tanner
, 147
Antichrist (album)
, 126
Apotheosis
, 121
Appliqué technique
, 30
Appropriation
, 23
Aqua
, 174
Aquinas, Thomas (Scholastic theologian)
, 173
Arabs in metal medievalism
, 76
Archaic sound
, 145–146
Archives of Khazad-Dum, The (album)
, 38, 51n3, 52n6
Aria of Vernal Tombs (album)
, 151–152
Aristotelian cosmos
, 174
Army of Darkness (film)
, 140
Artworks
, 26
Atmosphere
, 43
Authenticity
, 139–140, 150
Authorship in mittelalter-metal
, 159–163
Auto-visual data
, 161
Avalanch (band)
, 93, 96–97
‘Babylonia’
, 88
Bakhtian Grotesque
, 172
Ballads
, 108–109, 115–117
‘Banal Middle Ages’
, 74
Band logos
, 17, 29
Baphomet symbols
, 17
Barbarism
, 141
Batallón de Castigo (band)
, 93
Bathory (band)
, 63
‘Bathory Incarnate Goddess of Death Arises’ (song)
, 51n4
Bayeux Tapestry
, 24–27
Beata Beatrix (album)
, 21
Belfjóna (album)
, 113
Black Mass
, 176
Black Mass Krakow (album)
, 176–177
Black metal
, 29, 36, 44, 148–149, 178
bands
, 38
musicians
, 51n4
neomedievalism
, 44
swings
, 177
Black metal aesthetics, middle-ages signifiers in
, 35
cover artwork
, 37–39
descriptors in online fan reviews
, 43
fan-review discourses
, 39–44
frequency of lyrical themes
, 42
heraldic tapestry of medieval
, 36–37
number of bands
, 42
recurring plague
, 48–51
sounding medieval village
, 44–48
woodcut artwork
, 40–41
woodcut engravings
, 38
Black metal bowellism
, 171–172
melancholic grotesque of
, 176–179
model
, 142
Black Metal ist Krieg (album)
, 131
Blackletter
, 15, 17, 31
Blasfemia Eternal (album)
, 17
Blaze in the Northern Sky, A (album)
, 122, 124, 131
Blessed be my brothers (album)
, 31
‘Blood for the Countess’ (song)
, 51n4
Blut und Boden (album)
, 48
Bokkenrijders
, 18
Book of Genesis
, 172
Booklets
, 13
Bourrée
, 46
Bowels of Hell
, 172–174
Bricolage
, 23, 138, 172
Brown, Rachel Fulton (medievalist)
, 49
By the Light of the Northern Star (album)
, 112–113
‘Campeador’ (song)
, 93
Cantar de Mio Cid (album)
, 94, 100–101
Cantigas de Santa Maria (album)
, 152, 160
Capitalist
, 138
Carmina Burana
, 150, 160
Castle, Warwick
, 24
Catharism
, 129–130
Christendom
, 49
Christian
narrative
, 174
Reconquest
, 94
themes
, 28
theology
, 173
Christianisation
, 124
Chromaticism
, 148
‘Cid’ (song)
, 93, 96–97
Classical Muslim Qur’anic exegesis
, 85
Coal drawing
, 25
Computational detection of medieval references in metal
, 57
automatic approach and words
, 60
band top topic(s)
, 61–62
Corpus
, 58
stylometry with clustering
, 62–65
three-dimensional visualisation of German bands
, 66
topic modelling
, 58–61
Computational methods
, 14
Connecticut Yankee in King Arthur’s Court, A
, 140
Corpus
, 58
Cosine similarity
, 64
Cosmos
, 142
‘Countess Bathory’ (song)
, 51n4
‘Countess Erszebeth Nadasdy’ (song)
, 51n4
Cover art
, 13, 37–39
Cover image
, 15
Crack (band)
, 103n5
Criticisms
, 140
Cruelty and the Beast (album)
, 51n4
Crusher, The (album)
, 27
Cultural appropriation
, 76–77
Cultural artefacts
, 137–138
Cultural heritage
, 73–74
Dance
, 115
rhythms
, 50
Danielson, Erik
, 176
Dante XXI (album)
, 23
Dante’s poem
, 31
Daoloth, Magus Wampyr
, 48
‘Dark Ages’
, 22, 123, 130–131
Dark Lyrics: Metal Lyrics Archive (2017)
, 58
Dark Medieval Times (album)
, 22, 42, 46–47, 127–128
Dark Moor (band)
, 94, 97, 98
Darkthrone (band)
, 121–122, 125, 149
De Melancholia (album)
, 177
De Miseria Condicionis Humanae
, 175
De Mysteriis Dom Sathanas (album)
, 125–126
De Secretis Mulierum
, 175
de Vivar, Rodrigo Díaz
, 75–76, 93–94, 97–99, 102
Dead Shall Inherit, The (album)
, 124–125
Death in the Blue Lake (album)
, 52n11
Death metal
, 23, 39
Deathlike Silence Productions (DSP)
, 122
Dedications
, 121
Demon-infested women
, 175
Demonolatry (Remy)
, 175
Den Ahnen zum Gruße (album)
, 27
Dendrogram plot
, 64, 65, 66
Der Ring des Nibelungen (album)
, 27
Devil’s tritone
, 178
Dhu al-Qarnayn
, 85–87
Diabolic Serenades, The (album)
, 17
Diabolus in musica (album)
, 178
Diario de un skin (album)
, 96
Dictatorship
, 95
Die lasterhaften Lieder und Balladen des François Villon
, 158
Digibook
, 30
Digipak
, 30
Digital humanities (DH)
, 57–58
Digital music distribution
, 122
Dim Carcosa (album)
, 16, 17
Divine Comedy (Dante Alighieri)
, 23, 26
Dualism
, 129–130
Dutch nationalism
, 59
Eclecticism
, 23
Edda stories
, 26
Edda themes
, 27
Eddur
, 16, 25
‘Egypt’
, 88
Ekphrasis
, 23
El Cid
, (see de Vivar, Rodrigo Díaz)
El infierno de Dante (album)
, 26, 27
‘Elisabeth Bathory’ (song)
, 51n4
Elleström, Lars
, 25
‘Ellindur bóndi á JaÐri’ (song)
, 112
Empyrean
, 173
Encyclopaedia Metallum: The Metal Archives
, 22, 36, 38–39, 50, 51n1, 52n6, 104n8
‘Endre Bathory’s Death’ (song)
, 51n4
Ensiferum (band)
, 63
Epicus Doomicus Metallicus (album)
, 152
‘Erdbeermund’ (song)
, 159, 161, 164–165
Eric the Red (album)
, 112
Essentialism
, 78
Et Eeventyr i 5 Capitler (album)
, 42
Ether
, 173
‘Eugenics’
, 43–44
Euronymous
, 121–122
special remembrance
, 124–128
Evangelion (album)
, 28
Extreme metal
, 75, 88
‘Eye of Ra, The’ (song)
, 82
Fær⊘ernes Beskrivelse (Debes)
, 110
Faith Divides Us–Death Unites Us (album)
, 22
Fan-review discourses
, 39–44
Fanaticism
, 129
Fantasia on a Theme of Thomas Tallis
, 52n15
Faroe Islands
, 108
in Middle Ages
, 109–111
Viking metal and
, 111
Faroese ballads
, 108, 109, 114, 117
Faroese identity, Viking metal and
, 114–116
Faroese kvæÐi
, 107–108
as metal music
, 112–114
Faroese sources
, 73
Fascism
, 95
Fascist stigma of El Cid
, 95–96
Fatherland (album)
, 17
Feel The Misery (album)
, 28
Female Grotesque, The
, 179
Fenriz (Darkthrone drummer)
, 122
Feuerschwanz (band)
, 63
Final Harvest, The (album)
, 33n1
First Decade, The 1989–1999 (album)
, 17
First-wave of black metal
, 51n4
Folk approach
, 164
Folk instruments
, 44
Folk metal
, 39, 44
relationship
, 49
Folk myths and identity
, 49
Folk simplicity
, 44–48
For All Tid (album)
, 42
For Death and Glory (album)
, 15
F⊘royingas⊘ga
, 109–111, 113
Fragments of illumination
, 108
Francoism
, 95
French Classical and Enlightenment dramas
, 59
Freudian imagery
, 45
FuglakvæÐi (album)
, 112
Full-length albums
, 17
Garden of Eden
, 173
Goi, Rode, Goi! (album)
, 30
‘Golpejar’ (song)
, 94
Gothic cathedrals
, 174
Gregorian chant
, (see Plainchant)
‘Grindavísan’ (song)
, 112
Guitars
, 38, 153
Haggard (band)
, 63
Hammerfall (band)
, 63
Handwriting
, 21
Harmonic-melodic features
, 47
Harmonisation
, 148
Hastings 1066 (album)
, 24, 25, 26, 28
Heavy metal
, 36–37, 147–148
medievalism
, 138
music
, 109, 147
Heid (band)
, 94
Hellhammer (Mayhem drummer)
, 48, 121
Hellish Bowels of Body
, 174–176
Hellish inversion
, 174
Heraldic tapestry
, 36–37
Heritage metal
Faroe Islands in Middle ages
, 109–111
Faroese identity
, 114–116
Faroese KvæÐi as metal music
, 112–114
Faroese Viking metal band
, 107–109
making Faroese medieval heritage metal
, 116–117
Viking metal
, 111, 114–116
Heroic ballads
, 108
Hispanity
, 95
Historical authenticity
, 77–78
Historicity
, 78
‘Hittite Dung Incantation’ (song)
, 82
‘Hold the Heathen Hammer High’ (song)
, 113–114
Homophobia
, 76
How far to Asgaard (album)
, 112
Human bowels
, 175
Hypnotic effect
, 149
Identity
, 72
narratives
, 72–74
Ignis
, 174
Ihsahn
, 48
Illuminations
, 138
fragments of
, 108
Imagined communities
, 72, 77
Immobility
, 173
In Extremo (band)
, 63, 141, 157–158
use of medieval source material
, 162
Zech settings
, 164–166
In Flames (band)
, 63–65
‘In Totus Floreo’ (song)
, 138, 160
Inconstancy of Witches (Pierre de Lancre)
, 175
Incorruptibility
, 173
‘Inhospitable’ heading
, 43
‘Inmortal’ (song)
, 94, 98
Intermediality
, 22–23, 139
Intertextuality
, 23, 139
‘Into the Infinity of Thoughts’ (song)
, 177
Into the Nightside Eclipse (album)
, 177
Iron Maiden (band)
, 83, 153
‘Iron Man’ (song)
, 148
Isengard (band)
, 93
‘Iskander Dhul Kharnon’ (song)
, 82–84, 90n1
‘Iskander’
, 85–86, 90
Islam
, 82
historiography
, 84
in metal medievalism
, 76
tradition
, 89
‘Jazz’ music
, 36
Jewel CD case
, 30
Judas Priest (band)
, 153
Jumalten aika (album)
, 28
‘Kafir!’ (song)
, 82, 90
Kalenda Maya (song)
, 151
Kathaarian Life Code’ (song)
, 129–130
Kathaarian
, 129
Kim, Dorothy
, 49
Klaus Kinski Spricht Francois Villon (album)
, 157–158
Knight’s Tale, A (film)
, 140
Kurtzweyl (band)
, 160
kvæÐi
, 109–111, 114, 116–117
La névrose de la pierre (album)
, 15
La Vita Nuova (poem)
, 21
Laguz (album)
, 17
Land (album)
, 112
Latent Dirichlet Allocation (LDA)
, 59, 61
Latent racism
, 76
Lay of Thrym, The (album)
, 26, 112
Le Jardin de Plainsance (poem)
, 159
‘Learning knight’
, 123
Left-leaning academics
, 49
‘Legendario’ (song)
, 93, 96, 97
Leitourgia (album)
, 178
‘Leyenda y realidad’ (song)
, 94
Light of God
, 174
Litourgiya (album)
, 28
Liturgical music
, 150–151
Llibre Vermell de Montserrat
, 152, 154
Local heritage, Viking iconography and
, 112–114
Logotype
, 15
London Symphony, A
, 52n15
Lord of the Rings (Tolkien)
, 26
Lords of Chaos: The Bloody Rise of the Satanic Metal Underground
, 48
LP gatefold cover
, 30
Lucifer
, 174
Luminescence
, 173
Lützelburger, Hans (German blockcutter)
, 22
Lyrical themes
, 43
Maleficarum (band)
, 131
MALLET toolkit (McCallum)
, 59
Malleus Maleficarum (Kramer)
, 175
‘Marchando una del Cid’ (song)
, 103n5
Markedness theory
, 52n14
Mashup
, 23
McLuhan, Marshall
, 23
Media
, 21, 24
Medieval
, 23–24
products
, 25–26
theorists
, 23
Media representation
, 25, 26
of media products
, 27–28
of qualified media
, 28
Media transformations
, 21–23
relationship with medievalism
, 30–31
types
, 24–25
Medieval
, 22, 35, 138
binary cosmology
, 173–174
Christian model
, 142–143
craft
, 160
creative processes
, 163
culture
, 128–129
elements in metal
, 14
heraldic tapestry
, 36–37
inversion
, 172–174, 178
manuscripts
, 138
market music bands
, 161–162
media
, 23–24
metal
, 147–151
in mittelalter-metal
, 159–163
music
, 146–148, 159–160
musical sources
, 138
poem
, 15
references
, 17
scholars
, 172
sounding Medieval village
, 44–48
woodcut
, 22
Medieval European Christianity
, 49
Medieval Flemish Hordes
, 17
Medievalism
, 26, 124, 139, 158, 161, 164
Kaufman’s neomedievalism
, 138–139
Leslie Workman’s definition
, 172
metal
, 76, 137–138, 145–147
relationship between media transformation and
, 30–31
Medievalist
metal
, 141, 146–147
metallers
, 145–146
projects
, 139–140
Melancholic Grotesque of Black Metal Bowellism
, 176–179
Melodies
, 147–148
Menhir (band)
, 63
Metal
, 115
bands
, 73, 74
culture
, 114
genre
, 13
lyrics
, 14–15, 59, 74–75
medievalism
, 76, 137–138, 145–147
Metal album
, 13–14
cover as media patchwork
, 29–30
Metal music
, 73, 82–83
Faroese KvæÐi as
, 112–114
video
, 14
Middle Ages
, 17–18, 22, 26, 32, 50, 74, 76, 138, 141, 145–146, 148–149, 172
Faroe Islands in
, 109–111
Midgardian Metal (album)
, 27
Millenarianism
, 128–129
Millennialism
, 128
Minneapolis
, 151
‘Mio Cid Campeador’ (song)
, 94, 97
‘Mio Cid mercenario’ (song)
, 94, 97
‘Mistress of the Gloomy Nights’ (song)
, 51n4
Mittelalter-metal
, 158, 161
authorship in
, 159–163
bands
, 141, 162
repertoire
, 157–158
scenes
, 152
Modena’s Hell
, 174
Monophony
, 147
medieval melodies
, 151
melodies
, 146
musical tradition
, 147–148
Monrobukka (band)
, 90
Montpellier Codex
, 152
Monumentum (band)
, 132n5
Morning Star (album)
, 30
Multidimensional scaling (MDS)
, 65
Mundane subcultural capital
, 88
Music(al)
, 13, 72, 115
compositions
, 138
escapism with neomedieval fantasy characters
, 44
genres
, 23
heavy metal
, 109, 147
‘Jazz’
, 36
liturgical
, 150–151
lyrics
, 58
Medieval
, 146–148, 159–160
metal
, 73, 82–83
non-liturgical medieval music
, 149–150
‘Rock’
, 36
structure
, 146–147
style
, 145–146
Viking metal
, 110
Musica Enchiriadis (treatise)
, 148
Musicians
, 143
Musicology
, 140
Mysticism
, 138
N-grams
, 63
‘the naïf’ concept
, 47
Naivety
, 48
National identities
, 72, 115
National Socialist Black Metal (NSBM)
, 44, 75–76
Nationalism
, 72–74
creating framework for
, 78–79
Nationalistic imagined communities
, 152–153
Natural Philosophy (Pliny)
, 172
Nazi Imagery
, 48–51
Nemesis Divina (album)
, 128
Neo-facism
, 48, 74–75
Neo-folk
, 152
Neomedieval culture
, 77, 138–139
Neomedievalism
, 31, 51n5, 77–78, 123–124, 140, 142
Neomedievalists
, 172
Neovölkisch reaction
, 75
“New Age” of Black Metal
, 127
‘New spiritualism’
, 72
Nile (band)
, 81–82, 88–90
Non-liturgical medieval music
, 149–150
Non-mainstream outliers
, 61
Nordic Metal: A Tribute to Euronymous (album)
, 127
Norse mythology
, 27
Norwegian black metal
, 125
Nox Invicta (band)
, 131
‘Nur Ihr Allein’ (poem)
, 165
Obscuritatem Advoco Amplectére Me (album)
, 122, 124
Obsequiae (band)
, 138, 141, 146
medieval metal
, 147–151
musical style
, 147
Oil painting
, 25
‘Ólavur Riddararós’ (song)
, 112
Ólavur Trygvason
, 110
Once and Future King (White)
, 26
Ong, Walter
, 23
Online lyrics sites
, 161
Organum
, 148
Oriental metal
, 77, 89
“Oriental Metal Compilation”
, 89
Orientalism (Said)
, 77
‘Ormurin Langi’ (song)
, 107, 112, 116
Osculum Infame motif
, 17
‘Outlaw’
, 176
Ownership in mittelalter-metal
, 159–163
Pagan metal
, 75, 111
Pagan Rite (album)
, 42
Painting
, 21, 25
Paranoid (album)
, 16
‘Parental Advisory’ sticker
, 29
Pårt, Arvo
, 146, 154–155
Pastiche
, 23
Pastoralism
, 52n15
Peaceville
, 122
‘Pessimism’
, 43
Photography
, 21
Phrygian character
, 47
Plagiarism
, 157
Plainchant
, 147–148
Planet AIDS (band)
, 61
Politicisation
, 78
‘Polvo, sudor y sangre’ (song)
, 103n1
Polyphony
, 150
Pop music industry
, 161
Post-enlightenment
, 138
Post-Francoism
, 97
Post-modernism
, 143
Postmodern approach
, 78
Postmodern perspectivism
, 96, 97
Power metal
, 16, 37
explosion
, 93
Prime Mover
, 173
Printing press
, 23
Project Implicit
, 53n21
Promo 1992
, 17
Pseudo-medieval craft
, 160
Punk
, 23
Qualified media
, 25–26
Qur’anic interpretation
, 84
Racism
, 48, 76
Raimbaut de Vaqueiras
, 151
Rajewsky, Irina (Intermediality)
, 23
Re-enactment
, 138
Re-enchantment
, 115
Recapitulation
, 102–103
Reception study
, 50
Recurring plague
, 48–51
Regenerationism
, 95
‘Regin SmiÐjur’ (song)
, 112
Regional pride, El Cid and
, 98–99
Reich, Steve
, 146, 154–155
Remediation
, 23
Remix
, 23
Renaissance fairs
, 160
Right-wing ideologies
, 75, 103n4
Ring dancing
, 110
Rock albums
, 161
Rock music
, 36
Rodrigo Díaz in Spanish heavy metal
El Cid appropriation in Spanish society
, 94–95
fascist stigma of El Cid in Spain
, 95–96
as nationalist icon
, 99–100
naturalising topical heavy metal knight
, 97–98
perspectives on
, 100–102
power metal explosion
, 93–94
recapitulation
, 102–103
and regional pride
, 98–99
revisiting Rodrigo Díaz from postmodern perspectives
, 96–97
as Spanish national hero
, 97
‘Romancero del Cid’ (song)
, 94
Romanity
, 95
Romantic triadic model
, 138–139
Romanticism
, 143, 161
Rotting Christ
, 48
Rubicon (album)
, 17
‘Ruido de batalla’ (song)
, 94
Rune stones
, 25, 28
Sabbatic Goat
, 176
Sabbatum (album)
, 148
Saltatio Mortis (band)
, 63
Sarpanitum (band)
, 31
Sarum Book of Hours (album)
, 174
Satanic alterity
, 172
Satanic black metal
, 172, 176
Satanic Bowels
, 171
Hellish Bowels of Body
, 174–176
Medieval Inversion and Bowels of Hell
, 172–174
Melancholic Grotesque of Black Metal Bowellism
, 176–179
Satanism
, 129–130
Scandinavian medievalism
, 113
Schandmaul (band)
, 64
Schola Enchiriadis (treatise)
, 148
Scholastic theologians
, 173
Scikit-learn
, 63
SciPy
, 63
‘Scythia’
, 88
Shadowthrone, The (album)
, 127
Shithouse
, 174
Simplicity
, 48
Simulacrum
, 141
‘Sinister’ heading
, 43
‘Sinklars Vísa’
, 112
SjúrÐakvæÐi
, 110
Skydancer (album)
, 153
Social Darwinism
, 48
‘Social intimacy’
, 72
Somewhere in Time (album)
, 83
Song structure or rhythm for analysis
, 13
Source media
, 22, 27
Spanish cultural heritage
, 98
Spanish metal bands
, 96, 98, 100
Spanish Society, El Cid appropriation in
, 94–95
Specific style
, 63
Sphera lunae
, 174
Spielleute (minstrels)
, 160
Stained glass design
, 28, 30
‘Stella splendens’ (song)
, 152
Stopwords
, 58
Structures of Immortality (album)
, 31
Stylometry
, 67
clustering
, 57
with clustering
, 62–65
Subcultural
authenticity
, 139
capital
, 88–89, 160
Sublunary realm
, 173
Subway to Sally (band)
, 63, 157–158, 166, 168n16
Suffering Is the Inheritance of Man (album)
, 33n1
‘Supernatural’ heading
, 43
Surtur Rising (album)
, 24, 25, 27
Suspended in the Brume of Eos (album)
, 151
Sword-and-sorcery film scores
, 146
Symbolism
, 117
Tafsir al-Jalalayn
, 85
Tales of Creation (album)
, 31
Target medium
, 22, 25–26
Terra
, 174
Teutonism
, 95
Textura Blackletter
, 22
Theory of intermediality (Werner Wolf)
, 23
Theys, Gunther (Ancient Rites frontman)
, 18
Thiel, Tom (front cover art)
, 24
Those Whom the Gods Detest (album)
, 82–83, 89
Tierra Santa (band)
, 93, 96
Timaeus (Plato)
, 172
‘Tizona’ (song)
, 94
Tonality
, 13
Topic modelling
, 15, 17, 57–61, 67
Transgressive subcultural capital
, 89
‘Transilvanian Hunger’ (song)
, 149
Translucence
, 173
Transmediation
, 25–26
of media products
, 26–27
of qualified media
, 28–29
Transmetal (band)
, 26
Trauma
, 96
Troubadours
, 150
Trouveres
, 150
Turino
, 115
Typographical errors
, 58
Typography
, 21
Týr (band)
, 63, 107–108, 112, 116–117
Überliefert
, 162
Umskiptar (album)
, 26
Valkyrja (album)
, 112
Vargstenen (album)
, 28
Viking
, 22
helmets
, 27
iconography and local heritage
, 112–114
romanticism
, 108
Viking metal
, 16, 58
and Faroe Islands
, 111
and Faroese identity
, 114–116
music
, 110
Villanelles (songs)
, 47
Villon, François
, 157–159
Villon apocrypha
, 158
Virtual spirituality
, 152
Visual logic
, 29
Visual style
, 38
Vivar del Cid
, (see de Vivar, Rodrigo Díaz)
Volk und Heimat (album)
, 48
Völkisch movement
, 75
‘Vollmond’ (album)
, 164
Walter, Brenda (medieval historian)
, 36, 142
Watain (Satanic black metal band)
, 176
Western civilisation
, 87
White Men Can’t Jump (film)
, 29
White-nationalist ideology
, 103n4
Wide scale topic modelling
, 59
Woodcut
, 22–23
artwork
, 40–41
engravings
, 38–39
Written lyrics
, 13–15
Zech, Paul
, 157–159
- Prelims
- Foreword: Good Music || Bad History
- Introduction
- Part I: Metal’s Medieval Frames
- Chapter 1 The Trans-medial Fight for Glory
- Chapter 2 Medieval Media Transformations and Metal Album Covers
- Chapter 3 Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetics
- Chapter 4 Computational Detection of Medieval References in Metal
- Part II: Nationalism and Identity in Metal Medievalism
- Chapter 5 The Politics and Poetics of Metal’s Medieval Pasts
- Chapter 6 The New Metal Medievalism: Alexander the Great, Islamic Historiography and Nile’s ‘Iskander Dhul Kharnon’
- Chapter 7 The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal
- Chapter 8 Making Heritage Metal: Faroese KvæÐi and Viking Metal
- Chapter 9 Black Metal’s Medieval King: The Apotheosis of Euronymous Through Album Dedications
- Part III: Historical Source Materials in Metal Musics
- Chapter 10 Finding the Past in the Present and the Present in the Past
- Chapter 11 Obsequiae: Reconciling ‘Authentic’ Medieval Musical Styles with Metal
- Chapter 12 The Villon that Never Was
- Chapter 13 Satanic Bowels: Medieval Inversion and the Black Metal Grotesque
- Index