Index
Medievalism and Metal Music Studies: Throwing Down the Gauntlet
ISBN: 978-1-78756-396-4, eISBN: 978-1-78756-395-7
Publication date: 6 September 2019
Citation
(2019), "Index", Barratt-Peacock, R. and Hagen, R. (Ed.) Medievalism and Metal Music Studies: Throwing Down the Gauntlet (Emerald Studies in Metal Music and Culture), Emerald Publishing Limited, Leeds, pp. 181-189. https://doi.org/10.1108/978-1-78756-395-720191016
Publisher
:Emerald Publishing Limited
Copyright © Introduction, editorial matter and selection Ruth Barratt-Peacock and Ross Hagen, 2019; individual chapters their respective authors, 2019.
INDEX
Note: Page numbers followed by “n” with numbers indicate notes.
- Prelims
- Foreword: Good Music || Bad History
- Introduction
- Part I: Metal’s Medieval Frames
- Chapter 1 The Trans-medial Fight for Glory
- Chapter 2 Medieval Media Transformations and Metal Album Covers
- Chapter 3 Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetics
- Chapter 4 Computational Detection of Medieval References in Metal
- Part II: Nationalism and Identity in Metal Medievalism
- Chapter 5 The Politics and Poetics of Metal’s Medieval Pasts
- Chapter 6 The New Metal Medievalism: Alexander the Great, Islamic Historiography and Nile’s ‘Iskander Dhul Kharnon’
- Chapter 7 The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal
- Chapter 8 Making Heritage Metal: Faroese KvæÐi and Viking Metal
- Chapter 9 Black Metal’s Medieval King: The Apotheosis of Euronymous Through Album Dedications
- Part III: Historical Source Materials in Metal Musics
- Chapter 10 Finding the Past in the Present and the Present in the Past
- Chapter 11 Obsequiae: Reconciling ‘Authentic’ Medieval Musical Styles with Metal
- Chapter 12 The Villon that Never Was
- Chapter 13 Satanic Bowels: Medieval Inversion and the Black Metal Grotesque
- Index