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Describing art: an alternative approach to subject access and interpretation

Megan Winget (School of Information, University of Texas at Austin, Austin, Texas, USA)

Journal of Documentation

ISSN: 0022-0418

Article publication date: 16 October 2009

1584

Abstract

Purpose

The purpose of this paper is to examine the art historical antecedents of providing subject access to images. After reviewing the assumptions and limitations inherent in the most prevalent descriptive method, the paper seeks to introduce a new model that allows for more comprehensive representation of visually‐based cultural materials.

Design/methodology/approach

The paper presents a literature‐based conceptual analysis, taking Panofsky's theory of iconography and iconology as the starting‐point. Panofsky's conceptual model, while appropriate for art created in the Western academic tradition, ignores or misrepresents work from other eras or cultures. Continued dependence on Panofskian descriptive methods limits the functionality and usefulness of image representation systems.

Findings

The paper recommends the development of a more precise and inclusive descriptive model for art objects, which is based on the premise that art is not another sort of text, and should not be interpreted as such.

Practical implications

The paper provides suggestions for the development of representation models that will enhance the description of non‐textual artifacts.

Originality/value

The paper addresses issues in information science, the history of art, and computer science, and suggests that a new descriptive model would be of great value to both humanist and social science scholars.

Keywords

Citation

Winget, M. (2009), "Describing art: an alternative approach to subject access and interpretation", Journal of Documentation, Vol. 65 No. 6, pp. 958-976. https://doi.org/10.1108/00220410910998942

Publisher

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Emerald Group Publishing Limited

Copyright © 2009, Emerald Group Publishing Limited

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